Asteroid City

"Asteroid City," The Play

Set in a retro-futuristic version of September, 1955, the play follows an annual Junior Stargazer astronomy convention being held in the fictional, titular desert town somewhere in the American Southwest. The town's claim to fame is the impact crater and remnants of a meteorite left behind from contact with a meteor in 3007 B.C. Nuclear atom bomb tests also occur regularly nearby.

The Television Documentary

A television host of a 1950s WXYZ TV program introduces a documentary about the creation and production of Asteroid City, a fictional play by famed Western playwright Conrad Earp, which has been created for the program, specifically, to show the inner-workings of mounting a theatrical production. The documentary opens on the first day of rehearsals at the fictional Tarkington Theatre, at a read-through of the play, with Earp reading the opening stage directions aloud to the whole company. He introduces the primary cast of characters and the scenography present.

Later, a scene depicts a private audition held between Earp and actor Jones Hall, who will go on to play Augie. They discuss the themes of the play (namely why Augie burns his hand on the quickie-griddle) and, after Hall performs one of Steenback's monologues, they share a kiss, establishing their relationship as lovers. Another scene set the night before the play's opening night shows Woodrow's understudy on a train trying to convince Mercedes Ford (who plays Midge) to return to the production after she left due to a fight with Schubert Green, the director, to which she eventually agrees. Next, the special introduces the audience to Green, who is living in a makeshift apartment backstage at the theater due to his recent divorce. His former wife, Polly, arrives delivering the divorce papers and gives him one last piece of advice for how to block a scene in the play, before leaving him for the last time.

Moving back in time to the time when Earp was still writing the play, the next scene shows the playwright visiting an acting school for assistance in constructing the third act. The class contains many of the performers who will later appear in the shown production of Asteroid City. When asked what the play is about, Earp answers with "infinity and I don't know what else."

In the middle of the third act (during the filmed live performance of the play), Jones Hall unexpectedly exits the stage and confronts Green, telling him that he "still doesn't understand the play", and asks if he is "doing him right" (delivered directly to camera). Green tells Hall to keep playing Augie the same way despite being uncertain, and that he is doing him right, and that what is really important is to "keep telling the story." After that interaction, while taking a smoke break on a balcony, Hall runs into the actress who was cast to play Augie's wife before her only scene was cut. She recites the deleted scene's dialogue to him, and he appears to gain new insight from it.

In the host's final appearance, he informs the audience that six months into the run of the play, Conrad Earp died in an automobile accident, and the special returns to the scene at the acting school, where Jones Hall blurts out the phrase "You can't wake up if you don't fall asleep." As each actor repeats this line staring into the camera, their world is briefly shown in color, and the alien appears one last time, holding the meteorite.

Development and casting

In September 2020, it was reported Wes Anderson would write and direct a romance film, which he would produce with Jeremy Dawson of American Empirical Pictures and Steven Rales of Indian Paintbrush.^[32][33] By February 2021, Michael Cera and Jeff Goldblum entered negotiations to star; the film was then described as being about a "group of brainy teenagers".^[34] Tilda Swinton was the first person to officially join the cast, in June 2021.^[14] In May 2023, Anderson talked about how the COVID-19 pandemic inspired the film and its story, saying: "I don't think there would be a quarantine in the story if we weren't experiencing it. It wasn't deliberate...Writing is the most improvisational part of the whole process. It relies on having nothing."^[35]

Bill Murray was originally cast as the motel manager, but had to drop out of the role due to being infected with COVID-19, leading to Steve Carell playing the part instead. However, after his recovery, he arrived at the film set in Spain, and while Anderson could not add another role to the film, he gave Murray the role of Tab Whitney, the actor playing Jock Larkings, business titan of the company bearing his name, which was an additional character created for a short promotional film trailer.^[36]

Filming

Principal photography, originally planned for Rome, took place in Spain between August and October 2021, with COVID-19 safety precautions in place.^[21][37][35] Several sets were built in Chinchón, including a vast diorama resembling a desert landscape with the eponymous town of Asteroid City, including its train station, a diner, a garage and an observatory.^[38][39] Cast member Fisher Stevens said the film would include "the wildest cast since The Bridge on the River Kwai" and that the cast and crew "were all bubbled together in a hotel, which was an old monastery".^[40]

Scarlett Johansson was paid $4,131 a week for her two months of work.^[41]

Post-production

The film's title was revealed by Bill Murray to be Asteroid City at the BFI London Film Festival in October 2021.^[42] Alexandre Desplat composed the score, his sixth collaboration with Anderson.^[43] Costume design was by multiple Academy Award winner Milena Canonero.^[44] In July 2022, it was announced that Focus Features would distribute the film, reuniting them with Anderson after Moonrise Kingdom (2012).^[1] It was also revealed that Murray would not be in the film as initially reported,^[45] as a result of contracting COVID-19 before he could shoot his scenes, leading to him being replaced by Steve Carell for the role of the motel manager.^[46]

Music

Home media

Asteroid City was released digitally on July 11, 2023, two and a half weeks after its theatrical premiere.^[52] A DVD and Blu-ray were released on August 15, 2023.^[53] It began streaming on Peacock on August 11, 2023.^[54]

MPA rating

Due to a "blink-and-you-could-miss-it" scene when Scarlett Johansson appears naked, the Motion Picture Association (MPA) initially gave the film an R-rating "for brief graphic nudity" in the United States.^[55][56] Focus Features successfully appealed the decision, and the film was re-rated PG-13 "for brief graphic nudity, smoking, and some suggestive material",^[57] which was the first time the MPA accepted an appeal to lower a rating due to "graphic content".^[58] The MPA did not give an official reason for the change, but Ann Lee of The Guardian reported that there had been "speculation that it was down to the nudity being non-sexual".^[55]

Box office

Asteroid City grossed $28.2 million in the United States and Canada, and $25.8 million in other territories, for a worldwide gross of $54 million.^[4][59]

In its limited opening weekend, it made $853,382 from six theaters, finishing in tenth. Its per-venue average of $142,230 was the best total since the start of the COVID-19 pandemic, and the largest since La La Land in 2016.^[60][61] Expanding to 1,675 theaters in its second weekend, it was projected to gross $7–8 million.^[62] It made $3.8 million on its first day of wide release, including $1.1 million from Thursday night previews. It went on to make $9 million, finishing sixth.^[63] It also had the highest opening for a Wes Anderson film in wide release.^[64] Asteroid City completed its theatrical run in the United States and Canada on September 7, 2023.^[65]

Critical response

On the review aggregator website Rotten Tomatoes, 76% of 363 critics' reviews are positive, with an average rating of 6.9/10. The website's consensus reads: "Asteroid City is unlikely to win Wes Anderson many new converts, but those who respond to his signature style will find this a return to immaculately arranged form."^[66]

Metacritic, which uses a weighted average, assigned the film a score of 76 out of 100, based on 60 critics, indicating "generally favorable" reviews.^[67] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while PostTrak reported 78% of filmgoers gave it a positive score, with 51% saying they would definitely recommend it.^[63]

In The Guardian, Peter Bradshaw called Asteroid City "terrifically entertaining and lightly sophisticated", and wrote: "The movie rattles cleverly and exhilaratingly along, adroitly absorbing the implications of pathos and loneliness without allowing itself to slow down. It is tempting to consider this savant blankness as some kind of symptom, but I really don't think so: it is the expression of style. And what style it is".^[68] John Nugent of Empire commended the film's unique visual and narrative style, writing: "[Anderson] remains cinema's most astonishing stylist, the rigour and detail in every frame never better", but warned: "It is occasionally a bit unfocused, and always a bit indulgent. If you don't like The Wes Anderson Film, you won't like this. But we others must hope he keeps making it."^[69]

In his review for Vulture, Bilge Ebiri wrote: "To the casual observer, Wes Anderson might seem like someone who either refuses to read his own press or has bought into his press to an absurd degree", alluding to criticism of Anderson's filmmaking style, but later argued: "There's a point to all this indulgence. Anderson's obsessively constructed dioramas explore the very human need to organize, quantify, and control our lives in the face of the unexpected and the uncertain [...] Asteroid City might be the purest expression of this dynamic because it's about the unknown in all its forms."^[70]

In his review for The New Yorker, Anthony Lane highlighted Johansson's performance as what "cracks the movie's ordered surface", and wrote: "Even if you regard the latest movie as a box of tricks, you have to admire the nerve with which Johansson, as Midge, delves into that box and plucks out scraps of coolly agonized wit. More deftly than anyone else, she traffics in the to-and-fro between the real and the imagined".^[71] Adam Mullins-Khatib of the Chicago Reader hailed the film as "a true achievement from one of America's most unique cinematic voices", complimenting Anderson's direction and screenplay, as well as the cast's performances.^[72]

Filmmakers Robert Eggers, Carlos López Estrada, Chad Hartigan and James Ponsoldt all named Asteroid City among their favorite films of 2023.^[73]

In June 2025, IndieWire ranked the film at number 16 on its list of "The 100 Best Movies of the 2020s (So Far)."^[74]

In July 2025, it was one of the films voted for the "Readers' Choice" edition of The New York Times' list of "The 100 Best Movies of the 21st Century," finishing at number 292.^[75]

More critical reviews of Asteroid City focused on its pace and story.^[76] Writing for the BBC, Nicholas Barber said "at no point does [Anderson] allow us to settle into any narrative in particular".^[77] Owen Gleiberman of Variety found the film similar to the "fussy, top-heavy, narratively batty yet stretched-thin concoctions" he saw in The Darjeeling Limited and The Life Aquatic with Steve Zissou, and concluded: "...[the] extraterrestrial visit results in Asteroid City being placed under quarantine, which means that everyone who has come to town is trapped there. The audience will know just how that feels. 'Asteroid City' looks smashing, but as a movie it's for Anderson die-hards only, and maybe not even too many of them."^[78] Gleiberman called Asteroid City one of the worst movies of 2023.^[79] Time's Stephanie Zacharek said, "Wes Anderson's Asteroid City is what happens when a filmmaker's world of wonder and whimsy becomes a prison."^[80]

Accolades

The film appeared on multiple critics' lists of the best films of 2023, including:

Awards and nominations