Atabey (goddess)

Early ethnohistorical sources indicate that Atabey was known under several names. In the Relación acerca de las antigüedades de los indios (c. 1498), written by the Jeronymite friar Ramón Pané and generally considered the earliest account of Taíno religious beliefs, the mother of the supreme being is said to have been known by five different names.^[5] The original manuscript of Pané’s report has not survived, and the passage is preserved only through later textual traditions transmitted by early sixteenth-century chroniclers, notably the Latin summary by Peter Martyr d’Anghiera, passages incorporated by Bartolomé de las Casas, and the Italian version published by Alfonso de Ulloa.^[6][7][8] Differences among these witnesses—such as Latinized spellings and the fusion or division of words—reflect the complex transmission history of the text.^{[9][note 1]}

The historiography of Taíno religion has offered several interpretations of these names and their meanings. José Juan Arrom interpreted the theonym Atabey as referring to a primordial maternal principle often associated with freshwater and fertility in Taíno cosmology.^[10] Other studies in Caribbean ethnohistory have emphasized its meaning as a revered or ancestral mother within the indigenous religious system.^[11]

Scholars have also proposed different explanations for the discrepancies between the lists preserved in the Anglerian and Ulloan traditions. Some analyses attribute these variations to processes of textual transmission, including the Latinization of indigenous names, orthographic fluctuation, and the accidental fusion of words in Renaissance copies.^[12] Other interpretations have defended the primacy of the tradition transmitted by Peter Martyr d’Anghiera and proposed etymological explanations for the names recorded in that version, interpreting them as symbolic epithets describing attributes of the deity.^[13]

Atabey conceived twin sons without intercourse. The best known is Yúcahu because he is the principal Taíno god who rules over the fertility of Yuca (cassava). She is also married to Yaya and had her first child, Yayael, who they later kill for trying to kill Yaya.

Atabey's symbology (and her avatar Guabancex) is one of the fundamental thematic foundations of the historical thriller Los hijos de la Diosa Huracán, by Daína Chaviano (Grijalbo-Random House, 2019). In this novel, this deity is a key character and subject in developing and solving the mysteries of the plot.

Atabey, Guabancex with her helpers Guatabá, Cuastriquie, and Juracán (embodiment of the hurricane) are repeatedly evoked in a novel by the Cuban-american writer Frederick A. de Armas. In Sinfonía salvaje (Madrid: Verbum, 2019) the hurricane represents the changes brought about in 1959 by the Cuban Revolution.

Apito (an alternative name for Atabey) is a thematic deity in the fictional series Dungeon Crawler Carl. In the series Apito rules over the other gods along with her consort Taranis. She is also called the Oak Mother and is the caretaker for the All Tree.