Baby God
2020 American film
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Baby God is a 2020 American documentary film, directed and produced by Hannah Olson, which follows Quincy Fortier, a doctor who used his own sperm to inseminate fertility patients. Heidi Ewing and Rachel Grady were executive producers under their Loki Films banner.
| Baby God | |
|---|---|
Official poster | |
| Directed by | Hannah Olson |
| Produced by | Hannah Olson |
| Cinematography | Justin Zweifach |
| Edited by | Toby Shimin |
| Music by | Will Epstein |
Production companies |
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| Distributed by | HBO |
Release dates |
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Running time | 78 minutes |
| Country | United States |
| Language | English |
It had its world premiere at the Nantucket Film Festival on June 23, 2020, and was released on December 2, 2020, by HBO.
Synopsis
Quincy Fortier, in a fertility fraud scheme begun in the 1960s, for more than 30 years secretly used his own sperm to inseminate his fertility patients, without their knowledge or consent. Decades later, his biological children discover Fortier is their father and search for answers.[1]
Production
Olson discovered the story after hearing about a doctor using his own sperm to inseminate his fertility patients, and brought it to Heidi Ewing and Rachel Grady who agreed to produce the film, and brought it to HBO Documentary Films who agreed to produce and distribute.[2] Olson felt the story was relevant in the context of Me Too movement and felt it was time to reframe the US fertility industry to a public health concern.[3]
Release
The film was set to have its world premiere at South by Southwest in March 2020, however, the festival was cancelled due to the COVID-19 pandemic.[4][5] The film had its world premiere at the Nantucket Film Festival on June 23, 2020.[6][7] It also screened at DOC NYC on November 11, 2020.[8][9] It was released on December 2, 2020.[10]
Reception
Critical reception
Baby God holds a 79% approval rating on the review aggregator website Rotten Tomatoes, based on 14 reviews, with an average of 7.2/10. The site's critical consensus reads, "Baby God is unavoidably nauseating as it unearths a heinous legacy, but Hannah Olson's sensitive study of the victims gives this documentary a worthwhile poignancy."[11]