Barry Stern (art dealer)

Stern first started a gallery in 1958. In April 1959 he opened premises at 217A George Street, Sydney, and named the gallery the Museum of Modern Art. It moved to Kings Cross later that year and then in 1961 to Paddington where it was renamed the Barry Stern Galleries. The new gallery was opened by the actress Vivien Leigh while she was touring Australia.^[4] The gallery then moved across the road into three 1840s houses that had nine different exhibition spaces. Stern saw himself as a bridge between the artist and the buying public, representing the unfashionable artists of the time. In 1962 an oil on masonite board portrait of Stern by Judy Cassab was hung in the Archibald Prize exhibition at the Art Gallery of New South Wales.^[5] In addition to the Glenmore Road gallery which held stock, Stern also had two galleries for exhibitions only, one in Mary Place, Paddington, and the other in Gordon and later Pymble. From the 1970s until the 1990s he often opened his galleries and his historic five acre garden Kewita at Somersby^[6] to aid the National Trust, Eryldene Trust and the Black and White Committee, who raised funds for the Royal Blind Society of New South Wales.^[7] Stern retired in 1992 to live in Morocco and then Bangkok.^[8] The early records of the Barry Stern Galleries, including correspondence, framing invoices, financial records, exhibition catalogues, press clippings, photographs, and original drawings are held by the National Library of Australia.^[9] The former Barry Stern Galleries in Glenmore Road, Paddington, is now owned by Dominic Maunsell and Graham Wickes and operates as the Maunsell Wickes Gallery.^[10]

The National Library of Australia hold the 1986 recordings of interviews of Stern by Barbara Blackman, the former wife of artist Charles Blackman. In these oral histories he speaks about his Jewish family background, his childhood in Sydney, anti-semitism, World War II, working as a theatre and art critic, founding the Barry Stern Galleries, his involvement in the Poetry Society of New South Wales, the art scene in Sydney in 1960s, his work as a gallery owner and art dealer, numerous Australian painters, his private collection, art framing, and other Australian art collectors.^[11] The NLA hold another set of interviews undertaken by Ross Steele in 2009.^[12]