Bella Fromm

As a diplomatic correspondent for the Ullstein papers, Fromm became a well-known figure in Berlin high society. Among those with whom she may have been acquainted were Frederick Birchall (The New York Times correspondent and editor), Aristide Briand (French Prime Minister), Vittorio Cerruti (Italian Ambassador), William E. Dodd (U.S. Ambassador), André François-Poncet (French Ambassador), Ernst Hanfstaengl (friend of Adolf Hitler and his first foreign press chief), Louis P. Lochner (veteran American correspondent), Otto Meissner (head of the Presidential Chancellery, and later of Hitler’s Chancellery), Konstantin von Neurath (German Foreign Minister), Sir Eric Phipps (British Ambassador), Leni Riefenstahl (filmmaker), Hjalmar Schacht (Economics Minister) and Kurt von Schleicher (Chancellor before Hitler). By her own account, Fromm met Hitler, Hermann Göring, Rudolf Hess and Joseph Goebbels several times at diplomatic events, but was not friendly with any of them.

Fromm portrayed herself as a leading figure in Berlin's political society; she was on intimate terms with ministers, editors, and diplomats, and knew of confidential information about many of them. She makes much of her close friendship with Schleicher and his wife and writes of her attempts to warn Schleicher that President Paul von Hindenburg was about to remove him as Chancellor in favor of Hitler. It is notable, however, that two of the best-known contemporary accounts of politics and the press in Berlin at this time do not mention Fromm. This includes William Shirer’s Berlin Diary,^[4] and the memoirs of Hitler’s press chief Otto Dietrich, Zwölf Jahre mit Hitler ^[5]

As an outspoken liberal (and because of her Jewish heritage), Fromm's position on German affairs became increasingly more precarious after the Nazis came to power in 1933. She was protected to some extent by her friendship with leading foreign diplomats and also with conservative members of Hitler’s government such as Schacht and von Neurath. In 1934 she sent her daughter to the United States. After 1934 she was no longer able to write under her own name, but her journalism continued to appear anonymously. She continued to be invited to diplomatic and social events.

Deprived of most of her income from journalism, Fromm returned to her family’s trade as a wine merchant, exploiting her contacts with foreign embassies and wealthy Berliners. According to her account, she also used her contacts to secure visas for many German Jews desperate to emigrate. For this reason, she wrote, she refused to heed the advice of her friends that she should leave Germany before it was too late. In 1938, however, Jews were excluded from the wine trade. Left with no income, and in the face of increasing anti-Semitic persecution, Fromm emigrated to the U.S. in September 1938.

In New York, Fromm worked as a typist and secretary and met her third husband, Peter Wolff. With the entry of the U.S. into World War II in December 1941, Fromm decided to write a book about her experiences in Weimar and Nazi Germany. In 1943, Blood and Banquets was first published in England.^[6] It was aimed at a war-time American readership and is stridently anti-Nazi and pro-American in tone.

In Blood and Banquets Fromm asserted: "In preparing this book, I made excerpts from the original entries in my diary… The parts of my diary which are contained in this book stand just as they were originally written…" ^[7]

This assertion, however, has been challenged by the American historian Henry Ashby Turner, who examined Fromm’s private papers in the Boston University library. In a 2000 journal article, Turner maintained that Fromm wrote the book in New York, basing it on her extensive collection of newspaper cuttings, on secondary sources and on her own memory.^[8] Turner noted that Fromm’s papers contain no original manuscript of a diary, only a series of typescripts produced on an American typewriter and on an American writing paper. Turner also noted significant changes between successive drafts, contradicting Fromm’s assertion that the entries in the published book “stand just as they were originally written.”

Turner also pointed out factual errors in Blood and Banquets, which, he said, arose from Fromm’s use of secondary sources, and which would not have occurred if the book had been an authentic contemporary diary. He cites as an example an entry for 29 January 1932, in which Fromm refers to a speech given by Hitler on 27 January. In fact, Turner says, Hitler gave his speech on 26 January, which Fromm would have known had she been basing her book on an actual contemporary diary. The error, Turner says, is also to be found in Fritz Thyssen’s book I Paid Hitler, published in the U.S. in 1941. He concludes that Fromm wrote her “diary” entry based on Thyssen’s book rather than on an actual diary. In other entries, he says, Fromm gives erroneous dates for speeches by Goebbels (including one she claimed to have witnessed) as a result of relying on newspaper cuttings rather than her own knowledge.

Turner is also sceptical about Fromm’s claims to have been a close friend of Kurt von Schleicher and the recipient of his confidences. He writes: “A first-name relationship – for upper-class Germans of that time a near-ceremonial matter – between Kurt von Schleicher and a society columnist he had met at a diplomatic reception is, to say the least, lacking in plausibility.” He concludes: “To sum up, Blood and Banquets, a memoir about events in Germany that was composed years later in America in demonstrably inventive fashion… should be regarded by historians with skepticism.”^[9]

Despite these doubts about its authenticity, Fromm’s book, with its many colourful descriptions of social life in Berlin in the 1920s and '30s and its robustly anti-Nazi views, continues to be widely quoted by postwar historians of the Weimar and Third Reich periods. Among recent works to cite Blood and Banquets are biographies of Goebbels (by Toby Thacker), Hess (by Peter Padfield), Riefenstahl (by Steven Bach), Magda Goebbels (by Anja Klabunde), Eva Braun (by Angela Lambert), William E. Dodd (by Erik Larson) and Stephanie von Hohenlohe (by Martha Schad). Other works to use Fromm as a source include Royals and the Reich by Jonathan Petropoulos, High Society in the Third Reich by Fabrice d'Almeida Hitler’s Women by Guido Knopp and The Last Winter of the Weimar Republic by Rüdiger Barth and Hauke Frederichs, which extensively quotes from Fromm's flawed memoir throughout.

In 1946 Fromm returned to Germany for several research trips, not permanently. In 1961 she published a novel based on her experiences in exile, Die Engel weinen (The Angels Cry), which was poorly received. In 1958 she was awarded the Cross of Merit First Class (Verdienstkreuz Erster Klasse) by the Federal Republic of Germany. She died in New York in 1972. In 1993 Blood and Banquets was translated into German and published under the title Als Hitler mir die Hand küsste (When Hitler Kissed My Hand).