Methodists in Charleston purchased a half-acre lot at the southwest corner of Pitt and Calhoun streets in 1795 for use as a burial ground.[3] They soon decided to construct a wooden church there called Bethel, and completed it about 1797–1798.[3]
Following a dispute over use of the black burying ground and segregated seating, numerous black members followed Morris Brown and left this church. In 1817 he founded Hampstead Church, later known as Emanuel AME Church. Another leading member of that church was Denmark Vesey, who was convicted and executed in 1822 of a conspiracy for a slave uprising. Emanuel AME was suppressed, and whites burned it. Other blacks left this church in 1834, tired of being segregated to gallery seating. That year independent black congregations were prohibited by state law, following the Nat Turner's Rebellion of 1831 in Virginia.
With growth in the congregation, in 1852 they commissioned design and construction of a new building, the current Bethel Methodist Church, which was completed in 1853.[3] Bethel Church was the only Methodist church in Charleston to remain open throughout the Civil War. The church leaders had the first wooden building relocated to the rear of the lot. It was used by remaining black members of this church.
In April 1882 following the Reconstruction era, the congregation donated the wood church to a nearby independent black congregation. This congregation moved it across the street, to 222 Calhoun Street. After this move, they added the portico. The older structure is known today as Old Bethel United Methodist Church.[4] In the late nineteenth century, the Bethel Methodist congregation undertook a thorough renovation of their church in 1886. The fourteen-foot wide side galleries were removed and other work was in progress when the earthquake of August 31, 1886 hit. It caused damage that made further repairs necessary.[3]
During the 1886–87 period, an alcove was added behind the chancel for a pipe organ, carpet and pew cushions were put in, and stained glass windows were installed. The tin coved ceiling was placed in the building during repairs following the hurricane of 1893. The unusual stenciling was applied to the interior walls in the late nineteenth century and is renewed each time the building is painted.[3]