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Bhagawan (2004 film)

2004 Indian film From Wikipedia, the free encyclopedia

Bhagawan is a 2004 Indian Kannada-language action drama film directed by H. Vasu and written by Dwarki.[1][2] The film features Darshan and Anjali (Daisy Bopanna) in the lead roles, whilst Bhavana and Sai Kumar play other pivotal roles. The film featured an original score and soundtrack was composed by Rajesh Ramanath.[3]

Directed byH. Vasu
Written byDwarki
Produced bySa. Ra. Govindu
Quick facts Directed by, Written by ...
Bhagawan
Directed byH. Vasu
Written byDwarki
Produced bySa. Ra. Govindu
StarringDarshan
Daisy Bopanna
Bhavana
Sai Kumar
CinematographyK. Krishna Kumar
Edited byS. Manohar
Music byRajesh Ramanath
Production
company
Thanu Chitra
Release date
  • 6 August 2004 (2004-08-06)
Running time
153 minutes
CountryIndia
LanguageKannada
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Plot

Cast

Production

The song "Jeeva Jeevakke" was shot at Rockline Studios.[4] The song "Gopalappa" was shot in a dhaba set at Rockline Studios. The filming was completed in the first week of June 2004.[5]

Soundtrack

The music was composed by Rajesh Ramanath.[6]

More information No., Title ...
Track listing
No.TitleLyricsSinger(s)Length
1."Chinage Buddha"V. Nagendra PrasadHemanth 
2."Chaska Maska Hudugi"KavirajChaitra H. G. 
3."Comeonu Comeonu"RamnarayanHemanth, Shamitha Malnad 
4."Suntara Galiya"DwarkiHemanth 
5."Gopalappa"V. Nagendra PrasadB. Jayashree, Rajesh Ramanath 
6."Jeeva Jeevakke"DwarkiRajesh Krishnan, Lakshmi Manmohan 
7."Chandrana Ooralli"K. KalyanRajesh Krishnan, Nanditha 
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Reception

A critic from Sify wrote that "If you are a fan of Darshan, go and watch it".[7] S. N. Deepak of Deccan Herald wrote "Saikumar’s dialogue delivery in both Kannada and Telugu are worth a mention. Moreover, the film has all the ingredients that appeal to the front benchers — loads of action scenes, an item number by Jr Silk Smitha, the heroine’s dream of hero chasing her in a forest, glamorous Anjali’s dance and her duet with Darshan, the confrontation scenes between Saikumar and Darshan, the family scenes of the hero, Bhavana’s jogging scene and her sentimental mobile scene in the second half".[8]

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