Bhatiyar

Arohana: S M ❟ P G ❟ M̄ D Ṡ^[a][1]

Avarohana: ̱̱Ṙ N D P M ❟ P G Ṟ S^[b][1]

Vadi: M^[2]

Samavadi: S^[2]

Thaat: Marva.

Pakad or Chalan: S m P D N r' N D m P G r S^{[citation needed]}

M̄ D S', r' N D P, D m P G r S

Or we have other way for Chalan as

S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s

Time: Early morning, 3–6^[1]

Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed. The raag Bhatiyar was the favorite raag of famous Hindi film music director, SD Burman.