Billain

From Wikipedia, the free encyclopedia

Birth nameAdis Kutkut
Also known as
  • Billy
  • Billainbeats
  • Aethek
Born (1983-08-01) August 1, 1983 (age 42)[1]
Billain
Birth nameAdis Kutkut
Also known as
  • Billy
  • Billainbeats
  • Aethek
Born (1983-08-01) August 1, 1983 (age 42)[1]
OriginSarajevo, Bosnia and Herzegovina
Genres
Occupations
  • Music producer
  • Sound designer
  • DJ
Years active2008–present
Labels
  • Bad Taste Recordings
  • Breed 12 Inches
  • Citrus Recordings
  • Civil Music
  • Close 2 Death Recordings
  • Critical Music
  • Fatality Recordings
  • FM Jam Records
  • Med School Music
  • Menart Records
  • Mindtech Recordings
  • Rise Audio
  • Syndrome Audio
  • Vision Recordings
Websitewww.billain.net

Billain (born Adis Kutkut) is a Bosnian drum and bass producer, DJ and sound designer from Sarajevo. He is mostly known for his distinctive style within the neurofunk genre and his collaborations with rappers Frenkie and Edo Maajka.

Billain was influenced as a pre-teen by the Bosnian War. During the four-year-long Siege of Sarajevo he began to draw and later discovered graffiti and created his first hip hop productions.[2][3]

In search of new possibilities to express his feelings originating in the siege, at first Billain taught himself how to produce techno music and later neurofunk. Before he released his first music, Billain joined the drum and bass collective Kontra which organised many drum and bass events in Sarajevo with DJs like Matrix & Optical, Teebee, Stakka & Skynet and Konflict. His music has been played on BBC Radio 1 and has been featured on UKF Music.[4]

In 2014, Billain, alongside composer Sloven Anzulović, created and composed the sound design and music for the re-opening ceremony of the rebuilt National and University Library of Bosnia and Herzegovina, which had been destroyed in 1992.[5]

In 2018, Kutkut designed sounds for the movies Pacific Rim Uprising and Hunter Killer and created the soundtrack of the horror game Scorn.[6][7]

Billain also releases shortfilms about technological singularity and artificial intelligence.[8] With his side project Aethek, he drifts towards the genre of Noise music, only focusing on sound design instead of melody and rhythm.

Discography

References

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