Birth of a Movement

2017 US documentary film From Wikipedia, the free encyclopedia

Birth of a Movement is a 2017 American documentary film produced by Northern Light Productions and based on the book Birth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights by Dick Lehr. The film tells the story of how, in 1915, Boston-based African American newspaper editor and activist William Monroe Trotter waged a battle against D.W. Griffith's technically groundbreaking but notoriously Ku Klux Klan-friendly film The Birth of a Nation based on the book The Clansman by Thomas Dixon Jr. Birth of a Nation prompted a debate about race relations, media representation, and the power and influence of Hollywood that still continues. The film explores the backdrop to this clash between human rights, freedom of speech, and a changing media landscape.[1]

Directed byBestor Cram
Susan Gray
Written byKwyn Bader
Dick Lehr
Based onBirth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights
by Dick Lehr
Produced byBestor Cram
Susan Gray
Matthew Maclean
Quick facts Directed by, Written by ...
Birth of a Movement
Directed byBestor Cram
Susan Gray
Written byKwyn Bader
Dick Lehr
Based onBirth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights
by Dick Lehr
Produced byBestor Cram
Susan Gray
Matthew Maclean
StarringBob Bellinger
David Blight
Vincent Brown
CinematographyJesse Beecher
Bestor Cram
Dan Mooney
Edited byDan Mooney
Music byJohn Kusiak
Paul D. Miller
Release date
  • February 6, 2017 (2017-02-06) (PBS)
CountryUnited States
LanguageEnglish
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The documentary features Spike Lee, whose first film The Answer was an artistic response to The Birth of a Nation; Reginald Hudlin who produced Django Unchained in response to Griffith's film; and Paul Miller, aka DJ Spooky, who recut his own version of The Birth of a Nation, accompanied by his own original musical score.[2]

Birth of a Movement first aired on PBS' Independent Lens on February 6, 2017, and was one of their most popular programs.[3] It was chosen as a finalist for best documentary film at the 2018 NAACP Image Awards.[4]

References

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