Blackmailed (1951 film)

1951 British film by Marc Allégret From Wikipedia, the free encyclopedia

Blackmailed is a 1951 British noir thriller film directed by Marc Allégret and starring Mai Zetterling, Dirk Bogarde, Fay Compton and Robert Flemyng.[1][2][3] It was adapted by Hugh Mills and Roger Vadim from the 1946 novel Mrs Christopher by Elizabeth Myers.[4]

Directed byMarc Allégret
Based onMrs. Christopher by Elizabeth Myers
Produced byHarold Huth
Norman Spencer
Quick facts Directed by, Written by ...
Blackmailed
Directed byMarc Allégret
Written byHugh Mills
Roger Vadim
Based onMrs. Christopher by Elizabeth Myers
Produced byHarold Huth
Norman Spencer
StarringMai Zetterling
Dirk Bogarde
Fay Compton
Robert Flemyng
CinematographyGeorge Stretton
Edited byJohn Shirley
Music byJohn Wooldridge
Production
company
Harold Huth Productions
Distributed byGeneral Film Distributors
Release date
  • 30 January 1951 (1951-01-30)
Running time
85 minutes
CountryUnited Kingdom
LanguageEnglish
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Plot

When blackmailer Mr Sine is murdered by Mrs Christopher, several people who witnessed the crime agree to keep quiet. However the murder was also seen by a young artist and army deserter, Stephen Mundy, also one of the blackmailer's victims.

Cast

Production

The film was shot at Pinewood Studios outside London, with the working title Mrs Christopher.[5] Sets were designed by the art director J. Elder Wills.

Reception

The Monthly Film Bulletin wrote: "The story itself would be quite sufficient for an entertaining minor film, but in this instance the handling has failed. Most of the dialogue is trite and conventional, and the direction does nothing to pull the film together. ... Little care has been taken with the sets, obviously stagey, and the direction is slipshod, essaying the odd trick shot, such as the falling of the body from the roof, in a somewhat crude attempt to brighten the surface."[6]

Picturegoer wrote: "It's a slow and jumbled production in which the main idea – a woman who has committed a murder can't decide whether or not to give herself up because she might involve others – is submerged in a number of trite situations, with unconvincing dialogue and loose direction."[7]

References

Bibliography

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