Bloodlust (1992 film)

David Stratton wrote in Variety "Striving for cult status, "Bloodlust" is a crudely made schlocker conceived along familiar lines. It contains enough sex, gore and drugs (as well as a punk rock score) to grab some of the video market internationally, but theatrical possibilities are limited to fringe venues."^[7] In Cinema Papers Karl Quinn writes "The vampires are Lear (Jane Stuart Wallace), Frank (Kelly Chapman) and Tad (Robert James O’Neill), three ostensibly funky, groovy, inner-city merchants of cool, who unfortunately come across as three of the most boring, vacuous characters imaginable. Sex, drugs and rock and roll have rarely seemed as unenticing a way of spending an evening as it does in the hands of this trio. A trip to hipsville courtesy of Melbourne’s The Lounge, ending in an orgy of sex and violence (doesn’t it always?) in a vacant warehouse, is realized with as much gusto as if the trio had been playing Monopoly and drinking raspberry cordial."^[2] Neil Jillet in the Age wrote "The film-makers get one thing right: 'Bloodlust' has consistently tacky ideas (including necrophilic sodomy) and production values. The intermittently coherent plot deals with the activities of vampires (not the kind who have to shut up shop during the day), fundamentalist Christians and thugs. The swings in style, from deadpan to contemporary Gothic, are more inept than funny."^[3] INPRESS's Jim Bob says "This low-budget blockbuster is bubbling with black humour, cheap sex, gratuitous violence and a perverted stylishness."^[8]

• Bloodlust at IMDb
• Bloodlust at Oz Movies

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