Bloomingburg Reformed Protestant Dutch Church

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LocationBloomingburg, NY
Nearest cityMiddletown
Coordinates41°33′21″N 74°26′34″W / 41.55583°N 74.44278°W / 41.55583; -74.44278
Area1.5 acres (6,100 m2)[1]
Bloomingburg Reformed
Protestant Dutch Church
Front (south) elevation and west profile, 2008
LocationBloomingburg, NY
Nearest cityMiddletown
Coordinates41°33′21″N 74°26′34″W / 41.55583°N 74.44278°W / 41.55583; -74.44278
Area1.5 acres (6,100 m2)[1]
Built1821
ArchitectPeter Weller and George Miller
Architectural styleFederal
NRHP reference No.80002779[2]
Added to NRHPJanuary 10, 1980

The former Bloomingburg Reformed Protestant Dutch Church is located on Main Street (Sullivan County Route 171) in Bloomingburg, New York, United States. An ornate wooden Federal style building dating to 1821, it is one of the oldest churches in the county. It remains mostly as it was originally built save for some changes to the interior.

Its 80-foot-tall (24 m) bell tower visible for some distance, is a local landmark. In 1980 the church, no longer in use, was listed on the National Register of Historic Places. It is currently a local and regional history museum. A recent referendum defeated a proposal by the town of Mamakating to sell it to another congregation.

The church building is a two-story, three-by-five-bay rectangle sided in white clapboard. The heavy timber framing is supported by a fieldstone foundation. The moderately-pitched gabled roof is shingled in asphalt, with a single chimney near the roofline on the east side.[1] The church is entered at the tower or south end. Unusually, this originally brought the congregation in at the sides of the altar, which was also at this end.

From the projecting central front bay, the multi-staged tower rises, interrupted only by the bracketed cornice on the front roofline. It continues to a narrow frieze with cornice and modillions. All four sides have a window, a small roundel on the front and sides and a small rectangle on the rear, overlooking the roof. Above the oculus there has traditionally been a painted clock face, set at 11:07.[1]

The belfry above is octagonal and ornate. Tuscan columns frame panels that are alternately louvered and plain. These support a similar frieze and cornice as the one below. The final stage uses the same treatment, with all panels louvered, and the tower's cap is an octagonal dome with weathervane.[1]

All the three front bays are filled with entrances. The main entrance is a pair of doors recessed behind fluted architraves. A fanlight surmounts the doorway, their muntins making intersecting Gothic arches. These are echoed on the side entrances.[1]

Both sides are fully fenestrated on both stories with 20-over-20 double-hung sash windows. The rear elevation features no decorative treatment at the roofline, and one window in each story at the sides, similar to the windows along the sides.[1]

A vestibule separates the main door from the sanctuary, while both side entrances lead directly to it. The altar is of plain wood, with some elliptical framing in the wall above paralleling a larger frame opposite that leads to the stairway to the choir loft, supported by thin octagonal columns. Simple round columns support the 10-foot–deep (3 m) second-story galleries with balustrade on either side. All walls except the front have wainscoting to the sill level; the front has shelving.[1]

All the woodwork inside save the altar and gallery handrails is painted white. Much of it is original. The ceilings are pressed metal.[1]

A set of stone steps from the front leads to a flagstone walkway that in turn descends a set of steep stone steps to Main Street. In the back is a small bungalow that once served as a parsonage.[1]

Aesthetics

The Bloomingburg Reformed Protestant Dutch Church is similar to the style of churches that began to appear in New England after 1800, as well as some of Charles Bulfinch's designs. It was common to copy church designs at the time, usually from other nearby examples. The steeple appears to be some similarity between the Bloomingburg church and a pattern for a rural church in Asher Benjamin's influential 1797 The Country Builder's Assistant.[1]

But unlike the other designs, there is no small pediment on the front of the tower, matching the larger pediment on the front face, nor is there any sign there ever was. The three-bay front is a variant found more frequently in New York, as opposed to the five-bay facades found in New England. Also unusual is the placement of the altar at the front of the church, later changed.

History

See also

References

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