Blues Preacher
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| Blues Preacher | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1993 | |||
| Recorded | September–November, 1992 | |||
| Genre | Jazz, blues | |||
| Label | DIW | |||
| Producer | Kazunori Sugiyama, James Blood Ulmer | |||
| James Blood Ulmer chronology | ||||
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| DIW Records Cover | ||||
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Blues Preacher is an album by the American guitarist James Blood Ulmer, recorded in 1992 and released in Japan on DIW Records and in the US on Columbia/DIW.[1][2] It was released in North America in 1994.[3]
Ulmer built the album around the drums, which he recorded with guitar and bass; he then rerecorded the guitar and bass parts once he was satisfied with the drum track.[4] Ulmer played a Steinberger on Blues Preacher.[5] "Jazz Is the Teacher (Funk the Preacher)" is a slower version of an older Ulmer song.[6]
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [7] |
| The Indianapolis Star | [8] |
| Orlando Sentinel | [9] |
| (The New) Rolling Stone Album Guide | [10] |
Trouser Press wrote that "the record places the emphasis on Blood's vocals amid unwavering rock and funk rhythms and more faux-metal guitars."[11] The Austin American-Statesman opined that "Ullmer's version of the [blues], full of crunching guitar chords and throat-ripping vocals, is well off the beaten path as idiosyncratic song structures and sermonizing lyrics take the music to new locations."[12]
The Indianapolis Star praised Ronald Drayton's "dazzling—and sometimes psychedelic—guitar variations and juxtapositions."[8] The Orlando Sentinel wrote that "Nobody but You" "is a gorgeous, Jimi Hendrix-style love ballad punctured by poison-tipped guitar licks—with Ulmer playing flute in a funky interlude."[9] Stereo Review noted that "in the noble tradition of early rock-and-roll, the words to some of the songs are so slurred and muffled as to be open to conjecture."[13]
The AllMusic review by Scott Yanow stated: "Ulmer sticks to a harsh blues-rock groove, with many of the one-chord vamps sounding like they are leftovers from John Lee Hooker's repertoire. There are no harmolodics (and little jazz) to be heard on the CD, and this rather primitive music is to be recommended only to fans of Ulmer's shouting vocals."[7]
