Bologna Polyptych

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ArtistAttributed to Giotto (with workshop participation)
Yearc. 1330 - 1334 (often dated 1333 - 1334)
MediumTempera on panel
Dimensions218 cm × 147.5 cm (86 in × 58.1 in)
Bologna Polyptych
Italian: Polittico di Bologna
ArtistAttributed to Giotto (with workshop participation)
Yearc. 1330 - 1334 (often dated 1333 - 1334)
MediumTempera on panel
Dimensions218 cm × 147.5 cm (86 in × 58.1 in)
LocationPinacoteca Nazionale di Bologna, Bologna

The Bologna Polyptych (Italian: Polittico di Bologna) is a polyptych altarpiece in tempera on panel with gold backgrounds, attributed to Giotto with workshop participation and generally dated to the early 1330s. It is preserved in the Pinacoteca Nazionale di Bologna.[1][2]

An inscription is visible on the step of the Virgin’s throne. In modern summaries it is transcribed as opus magistri jocti de florentia.[3][2]

Provenance and historical context

According to modern summaries, the polyptych was transferred in 1782 from the church of Santa Maria degli Angeli to a chapel of the Collegio Montalto in Bologna. It was disassembled during the Napoleonic period in 1808 and reassembled in 1894 in a new frame, a process that caused damage to some original panels.[3][2]

Modern accounts describe the work as probably commissioned by the papal legate Bertrand du Pouget for the papal complex at Porta Galliera in Bologna, then part of the Papal States.[3]

Description

The central panel depicts the Virgin enthroned with the Child. The side panels depict four standing saints, identified in modern descriptions as Saint Peter, the Archangel Gabriel, the Archangel Michael, and Saint Paul, arranged symmetrically on either side of the central figure.[3][2]

A predella is associated with the polyptych. Modern descriptions report that it depicts figures connected with the Passion of Christ and its witnesses.[3]

Dating and attribution

See also

References

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