Bona Drag

After releasing Viva Hate in 1988, Morrissey decided to release a string of stand-alone singles in the hopes of achieving success in that market, followed eventually by a second album.^[11] The first of these was "The Last of the Famous International Playboys", which peaked at No. 6 in the UK.^[12] However, the second of these, "Interesting Drug", became delayed in March 1989 when Morrissey had an undisclosed financial disagreement with producer Stephen Street, leading Street to file an injunction on the release of the song.^[13] Street had been a longtime producer, musician and collaborator with Morrissey, dating back to his tenure with the Smiths.^[6] Street eventually lifted the injunction and "Interesting Drug" was released in April, peaking at No. 9.^[13]

In the aftermath of his rift with Street, Morrissey began working with producers Clive Langer and Alan Winstanley, known for their work with Madness and Elvis Costello.^[14] The first release, "Ouija Board, Ouija Board", was issued in November 1989 and peaked at No. 18.^[15] However, the song was received poorly by critics and even religious leaders, the latter of whom accused Morrissey of being involved with the occult.^[16] The criticism and limited success of the single temporarily curtailed the sessions for Morrissey's second album.^[6] It was at this time that Morrissey also fell out with former Smiths members Andy Rourke and Mike Joyce, who had performed on several of Morrissey's solo singles,^[6] due to financial issues dating back to their time with the Smiths.^[13]

In early 1990, Morrissey continued to work on the album, now titled Bona Drag, at Hook End Recording Studios.^[17] Six songs from these sessions would eventually see release, including "He Knows I'd Love to See Him" and "Get Off the Stage", while "Striptease With a Difference" would remain unreleased.^[17] Another single, "November Spawned a Monster", was released in April 1990 and peaked at No. 12.^[18] The single was also met with criticism by some for a perceived insensitivity towards those with disabilities.^[18]

At this time, the music press also criticized Morrissey for the fact that his last several singles had not reached the Top Ten, even though he had already sold more records as a solo artist than with the Smiths.^[19] Ultimately, Morrissey decided to scrap the idea of a full-length LP and release a compilation of singles and B-sides instead.^[11] In an interview with New Musical Express, he explained, "People will view it suspiciously in England but not in the rest of the world where all those funny little singles were never released. It was initially for the rest of the world, but EMI were determined to release it here."^[20][21]

Bona Drag features all six of Morrissey's solo singles up to that point, two of which ("Suedehead" and "Everyday Is Like Sunday") were taken from Viva Hate and four of which were Top Ten hits.^[6] The album reached No. 9 in the UK charts,^[22] while its lone new single, "Piccadilly Palare", peaked at No. 18.^[23] The album also includes seven B-sides, although "Will Never Marry" was edited down.^[6]

In the U.S., Bona Drag reached No. 59 on the Billboard 200. The album also contained the first songs by Morrissey to chart in the United States, all on the Modern Rock Tracks chart: "The Last of the Famous International Playboys" (No. 3); "Interesting Drug" (No. 11); "Ouija Board, Ouija Board" (No. 2); "November Spawned a Monster" (No. 6); and "Piccadilly Palare" (No. 2).^[24]

The title Bona Drag means "nice outfit" in Polari,^[25] a type of slang developed by the London gay community in the early 1960s, particularly in the Earl's Court and Piccadilly areas.^[26] Morrissey also used some of these words and phrases in "Piccadilly Palare".^[27] The album sleeve photo is an edited still from Morrissey's "November Spawned a Monster" promotional video.^[28]

All songs by Morrissey and Stephen Street, except where noted.

• Morrissey – vocals
• Kevin Armstrong – guitar (1, 3, 7, 10, 11)
• Craig Gannon – guitar (2, 5, 6, 12)
• Neil Taylor – guitar (2, 5, 6, 12)
• Vini Reilly – guitar (4, 8, 9, 13, 14), piano (4, 8, 9, 13, 14)
• Andy Rourke – bass (1–3, 5, 6, 10, 12)
• Stephen Street – bass (4, 8, 9, 13, 14), keyboards (2, 5, 6, 12)
• Matthew Seligman – bass (7, 11)
• Andrew Paresi – drums (1, 3, 4, 7–11, 13, 14)
• Mike Joyce – drums (2, 5, 6, 12)

The following credits were adapted from the LP liner notes:^[31]

Additional musicians

• Suggs – additional voice (1)
• Kirsty MacColl – additional voice (2)
• Mary Margaret O'Hara – additional voice (3)

Technical

• Clive Langer – producer (1, 3, 7, 10, 11)
• Alan Winstanley – producer (1, 3, 7, 10, 11)
• Stewart Day – assistant engineer (1, 3, 7, 10, 11)
• Stephen Street – producer (2, 4–6, 8, 9, 12–14)
• Steve Williams – assistant engineer (2, 4–6, 8, 9, 12–14)
• Morrissey – sleeve
• Jo Slee – art co-ordination
• Designland – layout
• Jurgen Teller – Wapping and Battersea photographs