Bread and Roses (2023 film)
From Wikipedia, the free encyclopedia
- Sahra Mani
- Jennifer Lawrence
- Justine Ciarrocchi
| Bread and Roses | |
|---|---|
| Directed by | Sahra Mani |
| Produced by |
|
| Cinematography | Abdul Sami Murtaza |
| Edited by | Hayedeh Safiyari |
| Music by | Masoud Sekhavat Doust |
Production company | |
| Distributed by | Apple Original Films |
Release dates |
|
Running time | 90 minutes |
| Country | United States |
Bread and Roses is a 2023 American documentary film about women in Afghanistan and the role of the Taliban. It was directed and produced by Sahra Mani. It was co-produced by Jennifer Lawrence and Justine Ciarrocchi for their company Excellent Cadaver after Lawrence saw news coverage of the 2021 Taliban offensive as U.S. troops withdrew. The documentary features footage from Sharifa, an ex-government employee forced indoors, Zahra, a woman organizing activists in her dentistry practice, and Taranom, who seeks refuge in Pakistan. It debuted at the 2023 Cannes Film Festival to critical acclaim and released in select theaters and on Apple TV+ on November 22, 2024.
The documentary shows the effects of the 2021 Taliban offensive that ended two decades of the War in Afghanistan. As American occupation ended and the Taliban gained further control, women lost the rights to education past sixth grade, work, and walking unaccompanied in public.[1][2]
It follows three women. Sharifa, formerly a government employee, is reduced to a tedious life indoors. Zahra, a dentist made to stop working, begins organizing activists in her former practice; she is arrested and tortured. Taranom is exiled for her activism and becomes a Pakistani refugee.[3][4] The documentary shows safe houses for women fleeing to Pakistan.[4] Women protest the closing of schools, chanting for "work, bread and education",[3] and water cannons and tear gas are used against them.[4][5] In one piece of footage, a Taliban fighter threatens to kill a woman who has been arrested for continuing to speak.[6] Female elementary and middle school students are seen chanting anti-Taliban messages.[7]
The documentary ends inconclusively, as the conflict had not ended.[2]
Production
The film was produced by Jennifer Lawrence and Justine Ciarrocchi under their company Excellent Cadaver, which they founded in 2018.[1][6] Lawrence said that she felt "helpless and frustrated" upon seeing the news in Afghanistan and contemporaneous overturning of abortion rights in the U.S. She wanted the stories to get "into people's psyches" and "help people be galvanized",[8] as American news was "constantly moving" and "distilled through our western lens".[5] Lawrence said that U.S. democracy was "sliding back" despite being what separated the U.S. from countries like Afghanistan.[8]
The director and producer Sahra Mani was hired after Lawrence and Ciarrocchi watched her documentary about an Afghan woman who was sexually abused, A Thousand Girls Like Me (2019).[9][6] Mani, who worked under the Kabul production company Afghan Doc House, had to shelve a documentary Kabul Melody about a co-educational music school after it was destroyed by the Taliban.[10]
Before Lawrence and Ciarrocchi contacted her, Mani had already begun gathering footage of women's lives under the Taliban.[6][2] Most footage in the documentary came from three women who feature in it, with one additional cameraperson.[1] The women captured footage on phones and cameras for a year.[2] The production determined that it was unsafe for film crews or Mani to enter the country.[1] Mani had left Kabul under a month before it fell to the Taliban, not knowing she would not return; the three main subjects had all left Afghanistan by 2023.[1][2] While protesters in Afghanistan were kidnapped and killed, Mani said the film is sanitized, limited to showing protesters being attacked with water cannons.[5]
After a month of collaboration, a 12-minute sizzle reel was composed to pitch to financiers. It was funded by Farhad Khosravi.[2] Postproduction took place in Iran. The film was edited by Hayedeh Safiyari.[2] It became the third production by Excellent Cadaver, which Ciarrocchi said "came out of necessity" rather than a mission to produce documentaries.[2][10]