Brenda Ray Moryck
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Brenda Ray Moryck | |
|---|---|
 Brenda Ray Moryck, from the 1916 Wellesley College yearbook | |
| Born | June 13, 1892 Newark, New Jersey, US |
| Died | December 6, 1945[1] Stockbridge, Massachusetts |
| Other names | Brenda Moryck Francke (after 1930) |
| Occupation(s) | Writer, teacher |
Brenda (Estelle) Ray Moryck (June 13, 1892 – December 6, 1945) was an American writer associated with the Harlem Renaissance.
Brenda Ray Moryck was born in Newark, New Jersey in 1892,[2][3] the daughter of John W. Moryck and Sarah Rose Ray Moryck. Her father owned a saloon and her mother was an educator and clubwoman.[4][5][6] Though Brenda wrote that her great-grandfather was Charles Bennet Ray, her mother's death record gives Adam Ray and Sarah Closson as Brenda's maternal grandparents.[6][7][8][9] Multiple records for Adam Ray state that his father was Adam Ray Sr., not Charles Ray.[10][11][12]
William Ashby wrote, "John Moryck [had] a saloon on Academy Street. He lived on Kearney Street. Moryck had an unusual daughter, Brenda. She graduated from Barringer High School, and won a scholarship at Wellsley College, certainly the first Negro girl from Newark to attend a prestigious white school."[4]
Moryck completed a bachelor's degree from Wellesley College in 1916, the only black graduate in her class.[13] She earned a master's degree in English literature from Howard University in 1926.[14] Moryck was a member of Alpha Kappa Alpha sorority and was active in the Tau Omega chapter.
Career
Moryck worked for the Newark Bureau of Charities after college, and taught physical culture at a technical school in Bordentown.[15][16] She taught English and drama at Armstrong Manual Training School in Washington, D.C. during the 1920s.[17] She wrote essays and stories published in The Crisis, Opportunity, and other national periodicals and newspapers.[18][19][20] She was also a drama critic for the New York Age,[21] and wrote at least one play, The Christmas Spirit, performed at Armstrong high school in 1927. She was active in the National Urban League, the Harlem YWCA,[22] and the NAACP in New York.[14] She was also an avid golfer.[23]
Moryck's writings are associated with the Harlem Renaissance[24][25] and have been included in several recent anthologies, among them The new Negro: Readings on race, representation, and African American culture, 1892-1938 (2007), edited by Henry Louis Gates Jr. and Gene Andrew Garrett,[26] Double-take: A revisionist Harlem Renaissance anthology (2001), edited by Venetria K. Patton and Maureen Honey, Harlem's Glory: Black women writing, 1900-1950 (1996), edited by Lorraine Elena Roses and Ruth Elizabeth Randolph,[27] and Speech & power: The African-American essay and its cultural content, from polemics to pulpit (1992). edited by Gerald Early.[28] She had an unpublished novel in manuscript at the time of her death.
