Brendan Cleary
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Brendan Cleary (born 1958) is a poet who was born in Carrickfergus, Northern Ireland but lives in England.[1]

Cleary attended Carrickfergus Grammar School in Northern Ireland. He moved from Northern Ireland in 1977 to Middlesbrough, a large town in north-east England, in order to attend Teesside Polytechnic. He then settled in Newcastle, where he founded Echo Room Press and was also an editor of Stand Magazine. Cleary earned a MA from Sunderland Polytechnic, which later became University of Sunderland in 1992.[2] For a number of years he ran The Morden Tower Readings.
Cleary has published a number of full collections throughout his career as well as in many magazines and a prodigious number of small press pamphlets. Martin Mooney noted the importance of pamphlets in Cleary's work ‘architecturally’ shaping different voices and blocks of work.[3] From early in his career much of Cleary's work has been characterised by its conversational tone, one that "seems to aspire to a state of speech that is highly eloquent, almost as if it is a betrayal to have to write down the poem".[4] His 2006 work, Weightless, was described by Roddy Lumsden as a “modern blues".[5] A major retrospective of his work, Goin' Down Slow: selected poems 1985-2010, was published by Tall Lighthouse in 2010.
He lived in Brighton with Casper Hutchison Slater in between 4 April 2017 - 29 November 2021
His works
Cleary's full collections include:
- “White Bread & ITV”, Wide Skirt Press (1990)
- “The Irish Card”, Bloodaxe (1993)
- “Sacrilege”, Bloodaxe, (1998)
- “Stranger In The House”, Wrecking Ball Press, (2001)
- “weightless”, tall-lighthouse, (2006)
- “some turbulent weather”, tall-lighthouse, (2008)
- “goin’ down slow”, tall-lighthouse, (2010)
- "Face", Pighog Press, (2013)
- "Do Horses Fly?", tall-lighthouse (2019)
- "The Other Place", Pighog Press/Red Hen Press (2021)
Cleary's pamphlets include:
- “Tears in the Burger Store”, Jackson's Arm, (1985)
- “Expecting Cameras”, Echo Room Press, (1986)
- “Late Night Bouts”, Bad Seed Press, (1986)
- “The Partys Upstairs”, Smith/Doorstop, (1986)
- “Memos to Sensitive Eddie”, Wide Skirt Press, (1987)
- “Newcastle Is Benidorm”, Echo Room Press, (1988)
- “Crack”, Echo Room Press, (1991)
- “Transylvania”, Echo Room Press, (1992)
- “White Logic”, Echo Room Press, (1995)
- “Sad Movies”, Bay Press, (1996)
- “Goin Down Slow”, Echo Room Press, (1997)
- “Jackson”, Pighog, (2004)
- “Fear and Sabotage”, Echo Room Press, (2005)
- “Nick’s Diary”, Echo Room Press, (2005)
- “Dinner with Nick”, Echo Room Press, (2006)
- “Stepping Out”, Echo Room Editions, (2007)
- “Trees on Bear Road”, Sunk Island Publishing, (2008)
- "Love Hotel Poems", Echo Room Press (2014)
- "Ghost Tapes", Echo Room Press (2015)
- "Esme Letters", Echo Room Press (2016)
- "If I'm Lucky", Hybrid Press (2020)
- "The Suicide Run", Hybrid Press (2021)
- "More Ghost Tapes", Hybrid Press (2022)
- "Last Poems?", tall-lighthouse (2023)
- "Country Simple", Echo Room Press (2025)