Brick Body Kids Still Daydream

2017 studio album by Open Mike Eagle From Wikipedia, the free encyclopedia

Brick Body Kids Still Daydream is the sixth studio album by Open Mike Eagle. It was released via Mello Music Group on September 15, 2017.[1] It includes guest appearances from Sammus and Has-Lo.[2] It is a concept album about the Robert Taylor Homes, a public housing project in Chicago, Illinois.[3] The cover art was illustrated by McKay Felt.[4] Music videos were created for "95 Radios",[5] "Brick Body Complex",[6] "No Selling (Uncle Butch Pretending It Don't Hurt)",[7] "Happy Wasteland Day",[8] and "Hymnal".[9] The album received widespread acclaim from critics and landed on several year-end lists.

ReleasedSeptember 15, 2017 (2017-09-15)
Length39:17
Quick facts Studio album by Open Mike Eagle, Released ...
Brick Body Kids Still Daydream
Studio album by
ReleasedSeptember 15, 2017 (2017-09-15)
GenreHip hop
Length39:17
LabelMello Music Group
ProducerExile, DJ Nobody, Andrew Broder, Kenny Segal, Illingsworth, Caleb Stone, Lo-Phi, Elos, Has-Lo, Toylight
Open Mike Eagle chronology
Hella Personal Film Festival
(2016)
Brick Body Kids Still Daydream
(2017)
Anime, Trauma and Divorce
(2020)
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Critical reception

More information Aggregate scores, Source ...
Professional ratings
Aggregate scores
SourceRating
Metacritic82/100[10]
Review scores
SourceRating
AllMusicStarStarStarHalf star[11]
Chicago Readerfavorable[12]
Robert ChristgauA−[13]
Consequence of SoundB[14]
Los Angeles Timesfavorable[15]
Pitchfork8.1/10[16]
Rolling StoneStarStarStarHalf star[17]
The SkinnyStarStarStarStar[18]
Spinfavorable[19]
Uproxxfavorable[20]
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The album received widespread acclaim from critics. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 12 reviews, indicating "universal acclaim".[10]

Matthew Ismael Ruiz of Pitchfork gave the album an 8.1 out of 10, saying, "Brick Body Kids Still Daydream serves as an antidote to dystopian depictions of the neighborhoods and communities on Chicago's South Side that are often one-dimensional, serving as a glimpse into the mind of a poet who can see the beauty and articulate it through the eyes of a child."[16]

Andrew Gordon of The Skinny gave the album 4 out of 5 stars, calling it "[Open Mike Eagle's] most thematically coherent work yet."[18] Aaron Williams of Uproxx said, "Fans of cascading rhymes and rewind-button-crushing wordplay will appreciate that Mike's gift of gab remains refreshingly (or stubbornly) intact in an era of stripped-down cadences and simplistic content."[20]

Accolades

More information Publication, Accolade ...
Publication Accolade Rank Ref.
NPR 50 Best Albums of 2017
29
Pitchfork 50 Best Albums of 2017
49
Rolling Stone 50 Best Albums of 2017
34
Stereogum 40 Best Rap Albums of 2017
16
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Track listing

More information No., Title ...
No.TitleProducer(s)Length
1."Legendary Iron Hood"Exile3:47
2."(How Could Anybody) Feel at Home"DJ Nobody4:14
3."Hymnal" (featuring Sammus)Andrew Broder3:20
4."No Selling (Uncle Butch Pretending It Don't Hurt)"Kenny Segal3:02
5."Happy Wasteland Day"Exile3:42
6."Daydreaming in the Projects"Illingsworth3:12
7."Brick Body Complex"Caleb Stone4:07
8."TLDR (Smithing)"Illingsworth2:47
9."Breezeway Ritual"Lo-Phi2:24
10."Wedding Ghosts"Elos2:18
11."95 Radios" (featuring Has-Lo)Has-Lo4:03
12."My Auntie's Building"Toylight2:15
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Personnel

Credits adapted from liner notes.

  • Open Mike Eagle – vocals, executive production
  • Dan Miller – guitar (1)
  • Exile – production (1, 5)
  • Jordan Katz – additional production (1, 6, 10, 11), additional live instruments
  • DJ Nobody – production (2)
  • Sammus – vocals (3)
  • Andrew Broder – production (3)
  • Kenny Segal – production (4)
  • Illingsworth – production (6, 8)
  • Caleb Stone – production (7)
  • Lo-Phi – production (9)
  • Elos – production (10)
  • Has-Lo – vocals (11), production (11)
  • Toylight – production (12)
  • Daddy Kev – mixing, mastering
  • McKay Felt – artwork
  • Sarah Dalton – graphic design
  • Michael Tolle – executive production
  • Mark Bowen – executive production

References

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