Bryan Kelly

He was a choir boy at Worcester College and attended Southfield Grammar School. After lessons with Harold Spicer, the long-serving organist and choirmaster of Manchester College, Oxford, he studied at the Royal College of Music with Gordon Jacob and Herbert Howells, then with Nadia Boulanger in Paris.^[2] He subsequently taught at the Royal Scottish Academy of Music and (from 1963) at the Royal College of Music. He has spent periods of his teaching career in America, Italy, France and Egypt.^[3]

His compositions range from light orchestral music and works for brass band to more serious and extended orchestral works (such as his Symphony from 1983 and the Concertante Dances) as well as church music and large scale choral works.^[4] Lighter orchestral works include the Cuban Suite, the New Orleans Suite, Divertissement, and two Leicestershire Schools Symphony Orchestra commissions – the overture Sancho Panza (1969) and the Sinfonia Concertante (1967). His works for brass band include Brass Bagatelles, the overture Provence and the Divertimento for Brass.^[5]

His Magnificat and Nunc dimittis in C of 1965 incorporates Latin American rhythms.^[6] At the round earth’s imagin’d corners (1977) is scored for choir, soloists and strings and includes six settings of religious texts from the fifteenth to the seventeenth centuries. It was commissioned by the Sheffield Bach Choir. The 45 minute choral work St. Francis of Assisi (1981) is a collaboration with poet John Fuller. For Adoration (2001) is a set of five short anthems.^[7]

Instrumental solos and educational music are also important to him: for example, the Whodunnit Suite for trumpet and piano includes movements entitled: 'Poirot (Detective)', 'Lavinia Lurex (Actress)', 'Colonel Glib (Retired)', 'Miss Slight (Spinster of This Parish)', 'The Chief Suspect' and 'The Chase'.^[8] In 1961 Kelly wrote the piano piece Tango for Peter Katin.