Buffy Sainte-Marie
American musician and activist (born 1941)
From Wikipedia, the free encyclopedia
Buffy Sainte-Marie (born Beverley Jean Santamaria;[1] February 20, 1941[2]) is an American singer-songwriter, musician, and social activist.[3]
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February 20, 1941
- Musician
- singer-songwriter
- composer
- record producer
- visual artist
- educator
- social activist
- humanitarian
- Vocals
- guitar
- keyboards
Buffy Sainte-Marie | |
|---|---|
Sainte-Marie in 2015 | |
| Background information | |
| Born | Beverley Jean Santamaria February 20, 1941 Stoneham, Massachusetts, U.S. |
| Genres | |
| Occupations |
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| Instruments |
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| Years active | 1963–2023 (touring) |
| Labels | |
Spouses | Dewain Bugbee
(m. 1968; div. 1971)Sheldon Wolfchild
(m. 1975, divorced) |
| Website | buffysainte-marie |
Sainte-Marie's singing and writing repertoire includes subjects of love, war, religion, and mysticism, and her work has often focused on issues facing Indigenous peoples of the United States and Canada. She won recognition, awards, and honors for her music as well as her work in education and social activism. In 1983, her song "Up Where We Belong", for An Officer and a Gentleman, won the Academy Award for Best Original Song at the 55th Academy Awards.[4][5] The song also won the Golden Globe Award for Best Original Song that same year.[6]
From the early 1960s, Sainte-Marie claimed Indigenous Canadian ancestry, but a 2023 CBC News investigation concluded she was born in the United States and is of Italian and English descent.[1] Some Indigenous musicians and organizations called for awards she won while falsely claiming an Indigenous identity to be rescinded.[7][8][9][10][11] Many of her awards and honors were subsequently revoked or surrendered, including her membership in the Order of Canada, her induction into the Canadian Music Hall of Fame, her Juno Awards, and her Polaris Music Prizes.[12][13][14]
Early life and education
Sainte-Marie was born at the New England Sanitarium and Hospital in Stoneham, Massachusetts, to Albert Santamaria and Winifred Irene Santamaria, née Kenrick.[1] The Santamarias were from Wakefield, Massachusetts. Her father's parents were born in Italy while her mother was of English ancestry.[1] Her family changed their surname from Santamaria to the French-sounding "Sainte-Marie" due to anti-Italian sentiment following the Second World War.[1]
Sainte-Marie taught herself to play piano and guitar[15] before attending the University of Massachusetts Amherst.[1][16][17]
Career
1960–1978: Rise to prominence
During the early 1960s, while still in college, her own songs such as "Ananias", the Indian lament "Now That the Buffalo's Gone", and also "Mayoo Sto Hoon" (a Hindi Bollywood song "Mayus To Hoon Waade Se Tere" originally sung by the Indian singer Mohammed Rafi from the 1960 movie Barsaat Ki Raat) were in her repertoire.[15] In her early twenties she toured, developed her craft, and performed in various concert halls, folk music festivals, and First Nations communities across the United States, Canada, and abroad. She spent considerable time in the coffeehouses of Yorkville and Greenwich Village as part of the 1960s folk scene, as did other emerging artists, including Leonard Cohen, Neil Young, Joni Mitchell, and Gordon Lightfoot.[18]
In 1963, while suffering with a throat infection, Sainte-Marie became addicted to codeine, an experience that became the basis for her song "Cod'ine",[17], later recorded by Donovan, Janis Joplin, and many others. That same year, Sainte-Marie witnessed wounded soldiers returning from the Vietnam War when the U.S. government was denying involvement.[19] This inspired the composition of her widely acclaimed protest song "Universal Soldier",[20] released on her debut album It's My Way! on Vanguard Records in 1964. It was later a hit for both Donovan and Glen Campbell.[21]
Her 1965 album Many a Mile included "Until It's Time for You to Go", which has been covered by Neil Diamond, Elvis Presley, Glen Campbell, Barbra Streisand, Andy Williams, and many others.[22]
In 1965, Billboard named Sainte-Marie "Favorite New Female Vocalist" in the folk genre in a poll of disk jockeys.[23][nb 1] Some of her songs addressing the mistreatment of Native Americans, such as "Now That the Buffalo's Gone" (1964) and "My Country 'Tis of Thy People You're Dying" (1964, included on her 1966 album), were seen as controversial.[27]
Sainte-Marie's other well-known songs include "Mister Can't You See" (a Top 40 U.S. hit in 1972); "He's an Indian Cowboy in the Rodeo"; and the theme song of the movie Soldier Blue. In 1970 she recorded Illuminations,[28] an early quadraphonic album on which she used a synthesizer.[29]
She appeared frequently on television in Canada and the US, including American Bandstand, Soul Train, The Johnny Cash Show, and The Tonight Show Starring Johnny Carson. She guest-starred in "The Heritage" episode of The Virginian in 1968, as a Shoshone woman sent to be educated at school,[30] and acted and sang in "Mating Dance for Tender Grass", a 1970 episode of Then Came Bronson.[31]
Sesame Street
Sainte-Marie was hired in 1975 to present Native American programming for children for the first time on Sesame Street.[32] Sainte-Marie wanted to teach the show's young viewers that "Indians still exist".[33] She regularly appeared on Sesame Street from 1976 to 1981. Sainte-Marie breastfed her first son, Dakota "Cody" Starblanket Wolfchild in a 1977 episode, which according to Sainte-Marie was the first representation of breastfeeding aired on television.[34][35] Sesame Street filmed several episodes at her home in Hawaii in 1978.[36]
1979–1999: Established career
In 1979, Spirit of the Wind, a docudrama scored by Sainte-Marie, was shown at the Cannes Film Festival.[37] The American Indian Film Festival, which exhibited the film in 1980, recognizes accurate historical and contemporary portrayals of Native Americans.[37]
Sainte-Marie started using Apple II and Macintosh computers in 1981 to record her music.[15][38]
"Up Where We Belong" (written by Sainte-Marie with Will Jennings and Jack Nitzsche) was performed by Joe Cocker and Jennifer Warnes for An Officer and a Gentleman. It received the Academy Award for Best Original Song in 1982.[5] On January 29, 1983, Jennings, Nitzsche, and Sainte-Marie won the Golden Globe Award for Best Original Song.[6] They also won the BAFTA film award for Best Original Song in 1984.[39] On the Songs of the Century list compiled by the Recording Industry Association of America in 2001, the song was listed at number 323.[40] In 2020, it was included on Billboard magazine's list of the "25 Greatest Love Song Duets".[41] In the early 1980s, one of her songs was used as the theme song for the CBC's Native series Spirit Bay.[42] She was cast for the TNT 1993 telefilm The Broken Chain.[43] In 1989, she wrote and performed the music for Where the Spirit Lives, a film about Native children being abducted, forced into residential schools, and expected to give up their Native way of life.[44]
Sainte-Marie voiced a Cheyenne character, Kate Bighead, in the 1991 made-for-TV movie Son of the Morning Star, telling the Indian side of the Battle of the Little Bighorn where the Sioux chief, Sitting Bull, defeated Lieutenant Colonel George Custer played by actor Gary Cole. In 1992, after a sixteen-year recording hiatus, Sainte-Marie released Coincidence and Likely Stories.[45] Recorded in 1990 at home in Hawaii on her computer,[18] it included the politically charged songs "The Big Ones Get Away" and "Bury My Heart at Wounded Knee", both comments on the ongoing plight of Native Americans (see also the book and film with the same name). Also in 1992, Sainte-Marie appeared in the television film The Broken Chain with Pierce Brosnan.
Sainte-Marie has exhibited her art at the Glenbow Museum in Calgary, the Winnipeg Art Gallery, the Emily Carr Gallery in Vancouver and the American Indian Arts Museum in Santa Fe, New Mexico. In 1995, she provided the voice of the spirit in the magic mirror in HBO's Happily Ever After: Fairy Tales for Every Child, which featured a Native American retelling of the Snow White fairy tale. Also in 1995, the Indigo Girls released two versions of Sainte-Marie's protest song "Bury My Heart at Wounded Knee" on their album 1200 Curfews.
In 1996, she started the Nihewan Foundation, a philanthropic non-profit fund for American Indian Education devoted to improving Native American students' participation in learning. A Cree word, "nihewan", literally "talk Cree", in this context means "be your culture". Sainte-Marie founded the Cradleboard Teaching Project in 1996 using funds from her Nihewan Foundation and a two-year grant from the W. K. Kellogg Foundation with projects across Mohawk, Cree, Ojibwe, Menominee, Coeur d'Alene, Navajo, Quinault, Hawaiian, and Apache communities in eleven states, partnered with a non-Native class of the same grade level for Elementary, Middle, and High School grades in the disciplines of Geography, History, Social Studies, Music, and Science, and produced a multimedia curriculum CD, Science: Through Native American Eyes.[46]
2000–2023: Later work
In 2000, Sainte-Marie gave the commencement address at Haskell Indian Nations University.[47] In 2002 she sang at the Kennedy Space Center for Commander John Herrington, USN, a Chickasaw and the first Native American astronaut.[48] In 2003 she became a spokesperson for the UNESCO Associated Schools Project Network in Canada.[49] In 2002, a track written and performed by Sainte-Marie, titled "Lazarus", was sampled by Kanye West and performed by Cam'Ron and Jim Jones of The Diplomats under the title "Dead or Alive".
In 2008, a two-CD set titled Buffy/Changing Woman/Sweet America: The Mid-1970s Recordings was released, compiling the three studio albums that she recorded for ABC and MCA between 1974 and 1976 after departing Vanguard. In 2015, Sainte-Marie released Power in the Blood and appeared on Democracy Now! to discuss the record and her musical and activist career. Power in the Blood won the 2015 Polaris Music Prize.[50] That same year, A Tribe Called Red released an electronic remix of Sainte-Marie's "Working for the Government".[51]
Sainte-Marie was the subject of a 2022 documentary, Buffy Sainte-Marie: Carry It On.[52] In the same year the National Arts Centre staged Buffy Sainte-Marie: Starwalker, a tribute concert of Sainte-Marie's songs.[53]
Personal life
In 1964, while on a trip to the Piapot Cree reserve in southern Saskatchewan for a powwow, she was adopted by the youngest son of Chief Piapot, Emile Piapot, and his wife, Clara Starblanket Piapot, in accordance with Cree Nation tradition.[18]
Although not an adherent, Sainte-Marie became an active friend of the Bahá'í faith, appearing at concerts for and conferences and conventions surrounding the religion. In 1992, she appeared in the musical event prelude to the Baháʼí World Congress, a double concert, "Live Unity: The Sound of the World" (1992) with video broadcast and documentary.[54] In the video documentary of the event Sainte-Marie is seen on the Dini Petty Show explaining the Bahá'í teaching of progressive revelation.[55] "I gave a lot of support to Bahá'í people in the '80s and '90s ... Bahá'í people, as people of all religions, is something I'm attracted to ... I don't belong to any religion. ... I have a huge religious faith or spiritual faith but I feel as though religion ... is the first thing that racketeers exploit. ... But that doesn't turn me against religion ..."[56]: 16:15–18:00min
Sainte-Marie applied for Canadian citizenship through her Cree lawyer, Delia Opekokew, in 1980.[57] In 2017, she stated that she does not have a Canadian passport and is a US citizen.[58]
In 1968, Sainte-Marie married a surfing instructor, Dewain Bugbee, but later divorced.[59] She then married Sheldon Wolfchild with whom she had a son.[60] She was married to her co-writer on "Up Where We Belong", Jack Nitzsche, during most of the 1980s.[61]
Claim of Indigenous identity and retirement
Sainte-Marie's 2018 authorized biography asserted she was "probably born" on the Piapot 75 reserve in the Qu'Appelle Valley, Saskatchewan.[62][63][16][64][65] She also claimed that, at the age of two or three, she was taken from her Cree parents as part of the Sixties Scoop, a government policy started in 1951 (at which time she was in fact ten years old in Massachusetts, not two or three years old in Saskatchewan), in which Indigenous children were removed from their families, communities, and cultures, and placed with families not of First Nations heritage.[66][65] Throughout her career, Sainte-Marie claimed to have been adopted without knowledge of her birthplace or biological parents.[65]
From the start, newspapers referred to her as Algonquin, full-blooded Algonquin, Mi'kmaq, or half-Mi'kmaq.[65] Sainte-Marie claimed community ties to the Piapot First Nation and her adoption as an adult by Chief Emile Piapot and Clara Starblanket.[65] Emile's great-granddaughter Ntawnis Piapot corroborated this, saying Sainte-Marie was adopted according to traditional Cree customs over "days and months and years".[67]
Members of the Sainte-Marie family clarified her ancestry in the 1960s and 1970s.[65] In 1964, Arthur Santamaria, Sainte-Marie's uncle, wrote in the Wakefield Daily Item that Sainte-Marie "has no Indian blood" and "not a bit" of Cree heritage.[65] Her brother, Alan Sainte-Marie, told newspapers, including the Denver Post in 1972, that his sister was not born on a reservation but was the child of Caucasian parents, and that "to associate her with the Indian and to accept her as his spokesman is wrong".[65]
Alan Sainte-Marie's daughter Heidi stated that when Buffy and her father met with a producer for Sesame Street, the producer asked Alan whether he was Indigenous. Alan Sainte-Marie replied that they were all of European ancestry.[65] On November 7, 1975, Alan Sainte-Marie received a letter from a law firm representing his sister that read: "We have been advised that you have without provocation disparaged and perhaps defamed Buffy and maliciously interfered with her employment opportunities." The letter went on to make clear that no expense would be spared in pursuing legal remedies.[65] Included was a handwritten note from Buffy Sainte-Marie to her brother threatening to publicly accuse him of sexually abusing her as a child if he spoke further about her ancestry.[65] She made her first appearance on Sesame Street one month later.[65]
In 2023, the CBC's The Fifth Estate investigated Sainte-Marie's purported origins. The piece took months to prepare, and Sainte-Marie, citing health concerns, was aware of its content and likely effects when she announced her retirement from live performances two months before the show aired.[68][69] Descendants of Piapot and Starblanket defended her in advance of the broadcast. "We claim her as a member of our family and all of our family members are from the Piapot First Nation. To us, that holds far more weight than any paper documentation or colonial record keeping ever could." Their statement went on to characterize the allegations against Sainte-Marie as "hurtful, ignorant, colonial, and racist".[70]
On October 27, 2023, The Fifth Estate demonstrated that Sainte-Marie's career-long claims of Indigenous ancestry were entirely false.[65] The first mention of her being Cree came when the Vancouver Sun described Sainte-Marie as a "Cree Indian" in 1963,[65] but The Fifth Estate tracked down her birth certificate, which lists her as white, and names her ostensibly adoptive parents as her birth parents. She was born in Stoneham, Massachusetts, to Albert and Winifred Santamaria.[1] Her son Cody confirmed that she obtained her public identity through "naturalization", not by birth, and her younger sister took a DNA test. The results showed that she is genetically related to Sainte-Marie's son -- an impossibility if Sainte-Marie had been adopted -- and the DNA profile showed almost no Indigenous ancestry in the family's genetic makeup.[69]
Initially, the acting chief of the Piapot First Nation, Ira Lavallee, said that Sainte-Marie remained accepted. "We do have one of our families in our community that did adopt her. Regardless of her ancestry, that adoption in our culture to us is legitimate."[71]
In her response to the CBC, when Buffy Sainte-Marie: Carry It On won at the International Emmy Awards, Sainte-Marie persisted. "My mother told me that I was adopted and that I was Native, but there was no documentation as was common for Indigenous children at the time", adding that "I don't know where I'm from or who my birth parents are, and I will never know." She also claimed, "I have never known if my birth certificate was real."[72][73]
Later in November 2023, without removing imagery suggesting such background, Sainte-Marie deleted from her website any claim of Cree heritage or of being born on Piapot First Nation. Lavallee then called for her to take a DNA test. "That's something that anyone in my community can do and would not have fear of doing because we know who we are and what we are, and it's easily provable through a DNA test. If Buffy did that, that's one thing that could clear all this up."[74] Cree author Darrel J. McLeod said that Sainte-Marie is an honorary member of the Piapot family, but that growing up with a white family allowed her to develop her talent and audience from a young age and that she should "apologize, come clean, stop gaslighting us and find a way to make amends".[75]
In March 2025, Sainte-Marie told The Canadian Press that she returned her Order of Canada "with a good heart" and asserted that she never lied about her identity. She claimed to have "made it completely clear" she was not Canadian to Rideau Hall, as well as to former prime minister Pierre Trudeau when he invited her to perform for Queen Elizabeth II in 1977.[76] In the days that followed, her five Juno awards were revoked with other honors, including the Polaris Music Prize and her induction into the Canadian Music Hall of Fame.[12]
Honors and awards
Honorary degrees
Sainte-Marie has been awarded 15 honorary doctorates. With regard to the University of Massachusetts, her website states that she was awarded an "Honorary Doctor of Fine Arts" in 1983. However, in an interview published in 2009, she stated that "I also got a teaching degree from the University of Massachusetts and later, a PhD in fine arts".[77]
| University | Title | Year awarded | Year revoked |
|---|---|---|---|
| University of Regina | Honorary Doctor of Laws | 1996[78][79] | N/A |
| Lakehead University | Honorary Doctor of Letters | 2000[80] | N/A |
| University of Saskatchewan | Honorary Doctor of Humanities | 2003[81] | N/A |
| Emily Carr Institute of Art and Design | Honorary Doctor of Letters | 2007[82] | N/A |
| Carleton University | Honorary Doctor of Laws | 2008[83] | N/A |
| University of Western Ontario | Honorary Doctor of Music | 2009[84] | N/A |
| Ontario College of Art and Design | Honorary Doctor of Fine Arts | 2010[85] | N/A |
| Brandon University | Honorary Doctor of Music | 2010[86] | N/A |
| Wilfrid Laurier University | Honorary Doctor of Letters | 2010[87] | N/A |
| University of British Columbia | Honorary Doctor of Letters | 2012[88][89] | N/A |
| Vancouver Island University | Honorary Doctor of Laws | 2016[90] | N/A |
| University of Lethbridge | Honorary Doctor of Laws | 2017[91] | N/A |
| Dalhousie University | Honorary Doctor of Laws | 2018[92] | 2026[93] |
| University of Toronto | Honorary Doctor of Laws | 2019[94] | 2026[95] |
Personal awards
| Award | Year Awarded | Status | Note |
|---|---|---|---|
| Queen Elizabeth II Golden Jubilee Medal | 2002[96] | Revoked 2025[97] | |
| Queen Elizabeth II Diamond Jubilee Medal | 2012[96] | Revoked 2025[97] | |
| Juno Humanitarian Award | 2017[98] | Revoked 2025[99] | Awarded as Allan Waters Humanitarian Award |
| Companion of the Order of Canada | 2019[100] | Terminated 2025[101] | Promotion from Officer in 1997[102][103] |
| PARO Inaugural Women Voice Award | 2019[104] | ||
| Canadian Music Week Allan Slaight Humanitarian Spirit Award |
2020[105] | ||
| TIFF Jeff Skoll Award in Impact Media | 2022[106][107] |
Performance awards
| Award | Year Awarded | Status | Note | |
|---|---|---|---|---|
| Academy Award for Best Original Song for "Up Where We Belong" | 1983[5] | Joint winner with Jack Nitzsche and Will Jennings | ||
| Canadian Music Hall of Fame Inductee | 1995 | Revoked 2025[108] | ||
| Canadian Aboriginal Music Awards Lifetime Achievement Award |
2008[109] | Awards now known as Indigenous Music Awards | ||
| Governor General's Performing Arts Award | 2010[110] | Revoked 2025[111] | ||
| Polaris Music Prize | 2015[112][113] | Revoked 2025[108] | for Power in the Blood | |
| Juno Award for Indigenous Music Album of the Year | 2018[114] | Revoked 2025[108] | for Medicine Songs | |
| Indigenous Music Awards for Best Folk Album | 2018[115] | for Medicine Songs | ||
| Canadian Songwriters Hall of Fame Inductee | 2019[116][117][118] | Revoked 2025[108][119] | ||
| Polaris Heritage Prize for It's My Way! | 2020[120] | Revoked 2025[108] |
Other
- In 1979, the Supersisters trading card set was produced and distributed; one of the cards featured Sainte-Marie's name and picture.[121]
- Canada Post stamp of Sainte-Marie in 2021[122]
Award-related reactions following ancestry controversy
After Sainte-Marie's claims to an Indigenous identity were disproven by The Fifth Estate, there were calls to rescind awards given her that were meant for Indigenous persons.[11] Issiqut Anguk, sister of singer Kelly Fraser who lost the 2018 Juno Award for Indigenous Music Album of the Year to Sainte-Marie (and who died by suicide the following year), wrote that Fraser "respected Buffy so much and it hurts to hear that maybe, just maybe it would've changed Kelly's life if she won the Juno award and Buffy didn't."[11] The Indigenous Women's Collective expressed dismay at Sainte-Marie's winning an International Emmy Award for Buffy Sainte-Marie: Carry It On and asked the Junos to revisit the 2018 awards to "explore ways of righting a past wrong. All Indigenous artists in this 2018 category should be reconsidered for this rightful honour."[10] Tim Johnson, former associate director of the National Museum of the American Indian, said her Junos should be rescinded and the Indigenous musicians who lost to her should be considered her victims.[8] Rhonda Head, an award-winning opera singer from the Opaskwayak Cree Nation says, "She won awards that were an accolade, that were meant for Indigenous musicians and that's what really hurts me the most. I would like to see that her awards be taken away forever, for her not being truthful and taking up space."[9]
On February 7, 2025, the Government of Canada announced that Sainte-Marie was removed from the Order of Canada as of January 3, 2025.[101][123] In March 2025, Sainte-Marie's Governor General's Performing Arts Award, Polaris Music Prizes, Juno Awards, and Canadian Music Hall of Fame induction were rescinded because she is not Canadian.[12][99][111]
On January 21, 2026, CBC reported that Dalhousie University in Halifax had revoked the honorary degree it bestowed upon Sainte-Marie in 2018.[124]
On May 14, 2026, CBC reported that the University of Toronto had rescinded Sainte-Marie’s honorary Doctor of Laws degree following a petition to revoke the honor.[125]
Discography
Albums
| Year | Album[45] | Peak chart positions | |||
|---|---|---|---|---|---|
| CAN [126] |
AUS [127] |
UK [128] |
US [129] | ||
| 1964 | It's My Way! | — | N/a | — | — |
| 1965 | Many a Mile | — | N/a | — | — |
| 1966 | Little Wheel Spin and Spin | — | N/a | — | 97 |
| 1967 | Fire & Fleet & Candlelight | — | N/a | — | 126 |
| 1968 | I'm Gonna Be a Country Girl Again | — | N/a | — | 171 |
| 1969 | Illuminations | — | — | — | — |
| 1971 | She Used to Wanna Be a Ballerina | — | 47 | — | 182 |
| 1972 | Moonshot | — | — | — | 134 |
| 1973 | Quiet Places | — | — | — | — |
| 1974 | Buffy | — | — | — | — |
| 1975 | Changing Woman | — | — | — | — |
| 1976 | Sweet America | — | — | — | — |
| 1992 | Coincidence and Likely Stories | 63 | — | 39 | — |
| 1996 | Up Where We Belong | — | — | — | — |
| 2008 | Running for the Drum | — | — | — | — |
| 2015 | Power in the Blood | — | — | — | — |
| 2017 | Medicine Songs | — | — | — | — |
| Year | Album |
|---|---|
| 1985 | Attla: A Motion Picture Soundtrack Album (with William Ackerman)[130] |
Compilation albums
| Year | Album | Peak chart positions |
|---|---|---|
| US[129] | ||
| 1970 | The Best of Buffy Sainte-Marie | 142 |
| 1971 | The Best of Buffy Sainte-Marie Vol. 2 | — |
| 1974 | Native North American Child: An Odyssey | — |
| 1976 | Indian Girl (European release) | — |
| A Golden Hour of the Best Of (UK release) | — | |
| 2003 | The Best of the Vanguard Years | — |
| 2008 | Buffy/Changing Woman/Sweet America | — |
| 2010 | The Pathfinder: Buried Treasures – The Mid-70's Recordings | — |
Singles
| Year | Single[45] | Peak chart positions | Album | ||||
|---|---|---|---|---|---|---|---|
| CAN [131] |
CAN AC [132] |
AUS [127] |
UK [128] |
US [133] | |||
| 1965 | "Until It's Time for You to Go" | — | — | — | — | — | Many a Mile |
| 1970 | "The Circle Game" | 76 | — | 83 | — | 109 | Fire & Fleet & Candlelight |
| 1971 | "Soldier Blue" | — | — | — | 7 | — | She Used to Wanna Be a Ballerina |
| "I'm Gonna Be a Country Girl Again" | 86 | — | — | 34 | 98 | I'm Gonna Be a Country Girl Again | |
| 1972 | "Mister Can't You See" | 21 | — | 70 | — | 38 | Moonshot |
| "He's an Indian Cowboy in the Rodeo" | — | — | — | — | 98 | ||
| 1973 | "I Wanna Hold Your Hand Forever"[134] | — | — | — | — | — | N/A |
| 1974 | "Waves" | — | 27 | — | — | — | Buffy |
| 1992 | "The Big Ones Get Away" | 24 | 14 | — | 39 | — | Coincidence & Likely Stories |
| "Fallen Angels" | 50 | 26 | — | 57 | — | ||
| 1996 | "Until It's Time for You to Go" | — | 54 | — | — | — | Up Where We Belong |
| 2008 | "No No Keshagesh" | — | — | — | — | — | Running for the Drum |
| 2017 | "You Got to Run (Spirit of the Wind)" (featuring Tanya Tagaq) |
— | — | — | — | — | Medicine Songs |
Soundtrack appearances
| Year | Song(s) | Album |
|---|---|---|
| 1970 | "Dyed, Dead, Red" and "Hashishin" with Ry Cooder | Performance |
| 2019 | "The Circle Game" | Once Upon A Time In Hollywood |
See also
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Notes
- Some later sources, including Andrea Warner's authorized biography, report that Billboard named Saint-Marie the "best new artist of 1964",[24] but this award is not present in either the 1964 or 1965 poll.[23][25] Billboard first issued its Top New Artist category in 1977.[26]
