Camino Real (play)
From Wikipedia, the free encyclopedia
- Kilroy
- Gutman
- Casanova
- Marguerite Gautier
- The Gypsy
- Esmeralda (the Gypsy's daughter)
- Don Quixote
- Lord Byron
- Baron de Charlus
- Lady Mulligan
- Lord Mulligan
New York City, USA
| Camino Real | |
|---|---|
 First edition (New Directions) | |
| Written by | Tennessee Williams |
| Characters |
|
| Date premiered | March 17, 1953 |
| Place premiered | National Theatre New York City, USA |
| Original language | English |
| Genre | Drama |
| Setting | The end of Camíno Re-ál and the beginning of Camino Real |
Camino Real is a 1953 play by Tennessee Williams.
In the introduction to the Penguin edition of the play, Williams directs the reader to use the Anglicized pronunciation "Cá-mino Réal." The title suggests some sort of road, but the setting is a dead-end place, a Spanish-speaking town surrounded by desert with only sporadic transportation to the outside world. It is described by Williams as "nothing more nor less than my conception of the time and the world I live in."[1]
Characters
Kilroy, a young American visitor, fulfills some of the functions of the play's narrator, as does Gutman, (named after Sydney Greenstreet's character from The Maltese Falcon, but bearing more resemblance to Signor Ferrari, Greenstreet's character in Casablanca) manager of the hotel Siete Mares, whose terrace occupies part of the stage. Williams also employs a large cast of characters including many famous literary characters who appear in dream sequences. They include Don Quixote and his partner Sancho, Marguerite "Camille" Gautier (see The Lady of the Camellias), Casanova, Lord Byron, and Esmeralda (see The Hunchback of Notre-Dame), and others.
Setting and theme
Taking place in the main plaza, the play goes through a series of confusing and almost logic-defying events, including the revival of the Gypsy's daughter (Esmeralda)'s virginity and then the loss of it again. A main theme that the play deals with is coming to terms with the thought of growing older and possibly becoming irrelevant.
Synopsis
The play has one location — the plaza at the end of the road — Camino Real. On one side of the plaza is the dining area of the Siete Mares hotel, on the other side is Skid Row. The town is near the sea, and is tropical, mythic, and sometimes dream-like. It isn’t named, though it suggests Mexico or Louisiana. According to the author, the play exists "outside of time in a place of no specific locality".[2] It is a place of refuge for the quirky misfits that turn up there, and find their illusions crumble. Characters include Lord Byron, Gypsy and her sex-driven daughter, Esmerelda, La Madrecita, a blind singer, and Casanova at an advanced age.
The division of the play includes a prologue followed by 16 scenes or “blocks” and monologues.
Sancho Panza has left Don Quixote, who then falls asleep, and Quixote's dream, which ensues, becomes the play. Quixote needs someone to replace Panza, so he selects Kilroy, a dispirited American soldier, who had appeared on the plaza. Kilroy has been courageous in his boxing career, but now he feels lost, and needs to sell his golden gloves.
The cruel Gutman, builds The Seven Seas Hotel above the town's water source. Other characters appear in dreams, including Camille, Lord Byron, Esmeralda, La Madrecita (a blind singer), and Baron de Charlus, the sexual seeker who is murdered. Some characters find partners and some do not.
Resurrections occur: Esmeralda regains her virginity, the singer’s eyesight is restored, Kilroy and Lord Byron are transformed.
Marguerite tells Casanova that she has outlived the tenderness of her heart, and that "tenderness, the violets in the mountains—can't break the rocks!" Casanova falls in love and has the last line of the play: "The violets in the mountains have broken the rocks."
