Camus Cross
From Wikipedia, the free encyclopedia
- Christ and evangelists
- Crucifixion (weathered)
- Centaur
- Foliar designs
| Camus Cross | |
|---|---|
The Camus Cross, East face | |
| Material | Old Red Sandstone |
| Height | 2 metres (6.6 ft) |
| Symbols |
|
| Created | Tenth century CE |
| Present location | Camuston Wood, near Carnoustie, Angus, Scotland |
| Coordinates | 56°31′50″N 2°47′01″W / 56.530647°N 2.783570°W |
| Classification | Type III, freestanding cross |
| Culture | Picto-Scottish |
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| Designations | |
|---|---|
| Official name | Camus's Cross |
| Type | Crosses and carved stones: cross (free-standing) |
| Designated | 16 November 1923 |
| Reference no. | SM148 |
The Camus Cross, otherwise known as the Camuston or Camustane Cross, is an Early Medieval Scottish standing stone on the Panmure Estate near Carnoustie in Angus, Scotland. First recorded in the 15th century in a legal document describing the boundaries between Camuston and the barony of Downie, and described in the 17th century by Robert Maule, it is a freestanding cross, rare in Eastern Scotland.
The cross is thought to date from the 10th century, and exhibits distinctive Hiberno-Scottish mission influences, in common with several other monuments in the area. Tradition and folk etymology suggest that the cross marked the burial site of Camus, leader of the Norse army purportedly defeated by King Malcolm II at the apocryphal Battle of Barry. The name of the stone is likely to derive from the extinct village of Camuston, which has a Celtic toponymy.
The Camus Cross is in the Downie Hills, approximately 4 kilometres (2.5 mi) northwest of Carnoustie in Angus, Scotland.[1] It is at the centre of a 1 kilometre (0.62 mi) long avenue leading east-north-east through Camuston Wood from the Panmure Testimonial to the Craigton to Carnoustie road, at (grid reference NO519379). The avenue is part of Panmure Estate and leads, beyond the road, to the former site of Panmure House.
Description

The freestanding cross is carved from Old Red Sandstone and stands 2 metres (6.6 ft) high, approximately 0.6 metres (2.0 ft) wide at the base, 0.8 metres (2.6 ft) wide at the arms, and approximately 0.2 metres (0.66 ft) thick. It stands on a low earth mound, 7.5 metres (25 ft) wide (east to west), 4.5 metres (15 ft) wide (north to south) and 1 metre (3.3 ft) high, in the centre of the Camuston Wood avenue, facing east to west. All faces and sides are sculpted. The cross has suffered significant weathering, most notably on the west face, which has obscured some of the designs.[2]
The stone bears no idiomatic Pictish symbols and, under J Romilly Allen and Joseph Anderson's classification system, it is a class III stone.[3] Intact freestanding crosses of this age are comparatively rare, perhaps because of their vulnerability to damage, and the only ones in Eastern Scotland are the Camus Cross and the Dupplin Cross in Strathearn. Fragmentary remains of other crosses include heads found at Forteviot, St Vigeans and Strathmartine and shaft fragments found at Monifieth, Abernethy, Carpow and Invermay, as well as some socketed stones where crosses once stood.[4]
The western face is divided into three sections. The uppermost section is almost completely weathered. The antiquarian Alexander Gordon, who described the stone in 1726 in his Itinerarium Septentrionale, records this panel as holding a crucifixion scene, with the figure of a man at the right hand side and the left side completely defaced. Below this is a depiction of a centaur holding a bow, with the lowest panel having a symmetrical floral scroll design.[5] The figures to the left and right are likely to have represented Longinus and Stephaton.[6]

The eastern face is usually interpreted as a depiction of Christ flanked by angels above the four evangelists,[7] although Robert Maule, in the earliest description of the stone, described the scene as Moses giving out the Law.[5]
The carving on the Camus Cross shows distinct similarities with those on the Brechin Hogback stone and point to an Irish Ecclesiastical influence. The foliar designs on the north and south edges, originally seen as Ringerike-like (and hence, Scandinavian in origin), consist of tendrils and volutes with "wave-crest" thickening. These features bear closest similarity with Irish insular art of the late tenth century, and the treatment of the symmetrical foliar scroll design on the lower portion of the west face is diagnostically Irish. The full-face figures on the east face are of an identical type to those on the Brechin Hogback. In the case of the Brechin Hogback, the figures are carrying objects that are characteristic of early medieval Irish monasticism.[8]

