Casualism (art)

Casualism is a 21st-century trend in American contemporary art which uses color, composition, and balance to produce works with an unusual, rather than obviously visually appealing, appearance.^[1]

The term Casualism was coined in a 2011 essay which defined a new type of postminimalist painting that features a self-amused, anti-heroic style with an interest in off-kilter composition and impermanence.^[1] These artists are interested in a studied, passive-aggressive irresoluteness that reflects wider insights about culture and society^{[1][2][3][4][5][6]}

Many artists responded positively to the essay and embraced the notion of Casualism,^{[7][8][9][10][11]} while others rejected the term, suggesting it whiffed of 'labelism' and 'crypto-institutionalism.'^[12][13][14] The Casualist tendency continues to inform much work and conversation around American abstract painting.^{[15][16][17][18][19]}

Tatiana Berg, Joe Bradley, Sharon Butler, Amy Feldman, Keltie Ferris,^[11] Beth Letain, Lauren Luloff, Chris Martin, Rebecca Morris, David Ostrowski, Cordy Ryman,^[20] Patricia Treib, Michael Voss, and Molly Zuckerman-Hartung are painters who work in a Casualist mode.^[21][22][23]

In addition to Casualist, the term "Provisional^[24]" has been used to describe paintings that might appear unfinished or incomplete; work that is intentionally awkward, physically fragile and unstable, that reject the display of conventional skills, or that discover beauty in unassuming materials.^[15] However, Provisional painters, unlike the younger Casualists, suggest a kind of exhaustion, entertaining the impossibility of painting.^[23][25][26] The older artists whose work is considered Provisional include Raoul De Keyser, Michael Krebber, Mary Heilmann, Albert Oehlen, Kimber Smith, Richard Tuttle and Christopher Wool.^[3]