Caveja

The earliest examples of caveje are undecorated metal pins dating to the 14th and 15th centuries. The metal pins were superior to wooden alternatives, which were susceptible to wear and tear from rubbing against the oxen. Over time, additional rings were added to the caveja for the pleasantness of their jingle. By the mid-18th century,^[2] the caveja had become a status symbol:^[2][7] wealthier families were distinguished by more pairs of rings and more elaborate decorations.^[2] Caveje were especially exhibited at village fairs,^[2][7] with some families owning "parade" caveje not intended for agricultural use.^[8] It was traditional for the caveja to be part of a bride's dowry, with a bronze ring in their stem and hearts in their pagelle.^[7]

The caveja features in Romagna's folklore.^[2][3] In one ritual, the azdôra, the oldest woman in the house, could tell the sex of an unborn child by making the sign of the cross with a caveja, circling the seated pregnant woman three times, and placing the caveja on a base by a lighted candle. If the left rings stopped chiming first, it suggested the birth of a boy, while the right rings suggested a girl, and an indeterminate result suggested a miscarriage.^[2] The caveja was also used in rituals to avert storms,^[2][3] pray for the forgiveness of debts,^[3] bless the houses of newlyweds,^[8] and capture bees. The caveja could also be used to ward off the mazapégul,^[2] mischievous nocturnal elves,^[9][10] by planting it outside a tormented victim's house.^[11]

The caveja is among Romagna's most recognisable symbols.^[5][6] It features in unofficial regional flags,^[8] the most popular of which depicts a rooster holding a caveja on a red and yellow background.^[12] Some hotels and restaurants in Romagna are named after the caveja.^[13][14] In 1963, a regional journalism prize was known as the Caveja d'oro (transl. Golden Caveja),^[15] a name shared with a regional cinematography prize launched in 1983.^[16]

A 1908 poem by Giovanni Pascoli describes farmers braking a wagon using a "statoio with a ringing bell", which he compares to "a ship's mast".^[17] The first literary mention of the caveja instead appears in La Cavêja degli anëll (1912), a Romagnol poem by Aldo Spallicci [it].^[2][18] The poem compares the caveja to "a campanile that unties its bells", with "all the passion of a song that dies", "a sound that seems silver, like the laughter of a child who never stays still", and "the big voice of a father...that would like to be bad and instead is a friend". The poem concludes that the caveja is "the good music of fatigue".^[2] Spallicci's poem is widely attributed with promoting the caveja's status as a symbol of Romagna.^[2][18]

Following the 2023 Emilia-Romagna floods, several fundraisers used the caveja to inspire donations to the region, including a calendar distributed by Il Resto del Carlino in Cesena,^[12] and a series of personalised keys featuring the caveja on one side to raise funds for the Manfrediana Library in Faenza.^[4][5]