Charles Apothéloz

Apothéloz was the son of Charles Apothéloz, the director of a bandage factory, and Marie Rebillet. He married first the painter and mosaicist Lor Olsommer, daughter of the painter Charles-Clos Olsommer, and second the actress Anne-Lise Kämpfer. In 1949 he received the directing prize at the Concours des Jeunes Compagnies in Paris. After returning to Lausanne, he served several months in prison as a conscientious objector before obtaining his law degree in 1951.^[1]

In 1953, Apothéloz and his Compagnie des Faux-Nez opened the Caveau des Faux-Nez, where he staged avant-garde repertoire by Michel de Ghelderode, Eugène Ionesco and Samuel Beckett and helped bring forward a new generation of Romand playwrights, including Franck Jotterand and Henri Debluë. He also developed various forms of popular theater. From 1959, he directed the Théâtre municipal de Lausanne, where he gathered the creative forces of the region under the label Centre dramatique romand (CDR). He produced important French-language premieres of works by Max Frisch and Friedrich Dürrenmatt, and received the Hans Reinhart Ring award in 1968. In 1972, the CDR, by then renamed Centre dramatique de Lausanne, moved into the Théâtre de Vidy (built in 1964), which was gradually transformed into a production venue without equal in French-speaking Switzerland. From 1975 on, Apothéloz directed large popular celebrations, including the Fête des Vignerons in Vevey in 1977.^[1]