Charles Pensée
From Wikipedia, the free encyclopedia
Charles François Joseph Pensée (11 August 1799[1] - 11 July 1871[2]) was a French painter and illustrator. A street in Épinal is named after him.[3]

Life
He was born in Épinal to Jean-François Pensée, deputy head of the administration of the department of Vosges, and Marie-Magdelaine Collin and had two sisters, Thérèse-Amélie and Sophie.[4] Their father died while serving as a huissier when Charles was aged fourteen and he was raised by his mother. He abandoned his studies and initially worked for his uncle Henri Joseph Hogard, a geometrical surveyor, who gave him his first training in drawing, then for Monsieur Goury, the Corps des ponts et chaussées' chief engineer for Vosges department.[5] · [6]
When Goury resigned, Pensée started collaborated with the French chief engineer Jean-Baptiste Prosper Jollois and took part in the collecting Jollois carried out for the Antiquités remarquables du département des Vosges[7] He contributed several illustrations of the Grand archaeological site.[8]
When Jollois changed jobs in 1822 Pensée followed him to Orléans.[7] Wishing to work as a drawing tutor there, he went to Paris to train in Monsieur Hubert's studio, notably in watercolour.[9] On returning to Orléans he taught drawing in public establishments and as a private tutor.[7] At the lycée, during the 1864–1865 school year, one of his pupils was Paul Gauguin, as shown by Swiss chalet beside the Loire, a drawing sold at auction on 16 June 2019 at the château d'Artigny.[10] Pensée died at Orléans and his funeral occurred there on 13 July 1871.[5] He is buried in the grand cimetière d'Orléans.[11]
Works
Several of his drawings show the banks of the river Loire and Lorraine. He particularly portrayed architectural views. The musée de la Marine de Loire in Châteauneuf-sur-Loire (Loiret) has many prints by him, as does the musée Crozatier. The bibliothèque multimédia intercommunale d'Épinal has a collection of his drawings showing the park at the château d'Épinal, owned by Monsieur Doublat.
Charles Pensée notably portrayed monuments or landscapes in:[12]
- Bou (Loiret) : church in Bou, showing effects of the Loire's 1866 flood ;
- Blessing of the dragon's grotto at La Chapelle-Saint-Mesmin (Loiret) by Félix Dupanloup, bishop of Orléans, in 1858 ;
- Châteaudun (Eure-et-Loir) : musée des Beaux-Arts et d'Histoire Naturelle, Château de Châteaudun, Dunois wing, charcoal, 58,8 x 44,8 cm;[13]
- Châteauneuf-sur-Loire (Loiret) ;
- Cusset (Allier) : church of Saint-Saturnin ;
- La Ferté-Saint-Aubin (Loiret) : château de la Grisonnière et de Chartraine ;
- The old pont d'Olivet, c. 1842, oil on canvas, 49 x 64,5 cm, musée des Beaux-Arts d'Orléans;[14]
- Grand (Vosges), Grand archaeological site ;
- Jargeau (Loiret) : effects of the 1856 Loire flood ;
- Le Malesherbois (Loiret) : château de Rouville, Malesherbes ;
- Mennetou-sur-Cher ;
- Méréville (Seine-et-Oise) ;
- Rère (Loir-et-Cher) ;
- Sandillon (Loiret) : Allou, La Porte estate ;
- Sully-la-Chapelle (Loiret) : château de Claireau ;
- Vichy (Allier) ;
- Vienne-en-Val (Loiret) : Les Prateaux estate ;
- Villeneuve-l'Étang (Seine-et-Oise) ;
- Stonemasons at Saint-Euverte church, 1826, watercolour on pencil on vellum, 32,8 x 24,9 cm, musée des Beaux-Arts d’Orléans;[15]
- View of place du grand marché, 1830, watercolour, highlighted in white gouache and vegetable gum on black crayon, on vellum, 43,8 x 56,4 cm, musée des Beaux-Arts d’Orléans;[16]
- View of the old hôtel-Dieu, 1842, watercolour, with white gouache highlights on pencil, on vellum, 40,8 x 56,3 cm, musée des Beaux-Arts d’Orléans.[17]
- Works by Charles Pensée
- The old pont d'Olivet, Orléans, musée historique et archéologique de l'Orléanais.
- M. Doublat's garden in Épinal. Kiosk, wash of a scene at the château d'Épinal, bibliothèque multimédia intercommunale d'Épinal.[18]
- Inauguration of the “Le Papin” steam packet, Châteauneuf-sur-Loire, musée de la Marine de Loire.
- View of château des Hauts of La Chapelle-Saint-Mesmin, lithograph by Romagnesi after Charles Pensée.
- House, said to be that of Diane de Poitiers, lithograph after Charles Pensée[19]