Charmstone (sculpture)

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Year1991
MediumModified concrete aggregate
DimensionsSculpture: 15 × 2 ft 3 in × 9 in (457.2 × 68.6 × 22.9 cm); Plaque: 5½ in × 11 × 11 ft (14 × 335.3 × 335.3 cm)[1]
Charmstone
The oblong propeller-shaped sculpture hangs from a beam in the covered area outside the museum's main entrance. Below the sculpture is a heavy square bronze plaque, which is nestled in a bed of Asian Jasmine. The overall look is very geometric: rectangular corners of the building, rectangular window panes, rectangular beams for shade, large squares forming a bricked walkway to the rectangular doors, and immaculately trimmed jasmine surrounding the square plaque. Although the sculpture has a rounded top and bottom and a slight bulge in the middle, it too is primarily rectangular.
The sculpture in 2013
ArtistMichael Heizer
Year1991
MediumModified concrete aggregate
DimensionsSculpture: 15 × 2 ft 3 in × 9 in (457.2 × 68.6 × 22.9 cm); Plaque: 5½ in × 11 × 11 ft (14 × 335.3 × 335.3 cm)[1]
LocationHouston, Texas, United States
Coordinates29°44′15″N 95°23′55″W / 29.737485°N 95.398496°W / 29.737485; -95.398496

Charmstone is an oblong hanging sculpture made of modified concrete aggregate that is suspended above a dedication plaque[2] at the entrance to the main building at the Menil Collection. A slight bulge in its center gives the pendant a propeller shape.[3][1]

A heavy bronze square sits in a bed of Asian Jasmine about a foot below the tip of the suspended Charmstone. The plaque is engraved with many signatures, and a verdigris has begun to form around the signatures.
The 11-foot (3.3 m) square dedication plaque below the suspended sculpture

Charmstone was installed at the Menil Collection in 1991. It is one of several with the same name:[4]

  • Charmstone 4 (1990) at Akira Ikeda Gallery in Taura, Japan[7][6]
  • Charmstone (1991) at the Menil Collection

(A Charmstone 2 has not been publicly documented.)

The piece is one of Heizer's "object sculptures," a series inspired by prehistoric objects or tools. He described his motivation for creating "object sculptures" during their first exhibition in 1990:

“They’re simply, in many ways, replicas of these things.... they’re extremely interesting in their original form, and they seem to reoccur in the modern world. I see a lot of aerodynamic shapes in the primitive tool forms, these types of shapes that were internationally used by all people in the early beginnings of mankind. For maybe thousands of years these things were used; so, I’m representing the form, but I’m looking at it again in a new way.... The fact that they existed thousands of years ago does not mean that people have them indexed in their minds as sculptural form. They have them indexed in their mind, if at all, as probably some obscure artifacts put away on a shelf that you walk by every fast in a museum and probably wouldn’t look closely at.”[8]

Charmstones uncovered in archeological digs in California and Southwestern United States are highly polished oblong stones, often with a hole drilled in one end, similar to fishing sinkers. They may have been used for weights, or they may have been sacred objects used for religious or ceremonial purposes.[9][4] Heizer's father, Robert Heizer, was an archeologist who specialized in California prehistory. He studied charmstones from the Windmiller Culture and created a typology of them; his "Type B and C" typology is very similar to the Charmstones his son created.[10]

See also

References

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