Charu Roy

Indian film director and actor From Wikipedia, the free encyclopedia

Charu Roy (6 September 1890 – 28 September 1971) was an Indian film director, actor, painter, and cultural figure active during the silent and early sound eras of Indian (especially Bengali) cinema.[3]

Born6 September 1890[1]
Berhampore, Bengal Presidency, British India
Died28 September 1971[1]
Calcutta, West Bengal, India
OccupationsFilm director, actor, painter
Yearsactive(लगभग) 1920s–1930s (silent & early sound)
Quick facts Born, Died ...
Charu Roy
Born6 September 1890[1]
Berhampore, Bengal Presidency, British India
Died28 September 1971[1]
Calcutta, West Bengal, India
OccupationsFilm director, actor, painter
Years active(लगभग) 1920s–1930s (silent & early sound)
Known forBangalee (1936), Shiraz (1928)[2]
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Born in Berhampore (now in West Bengal), Roy studied geology and graduated from Presidency College, Calcutta. He was also a painter, cartoonist, and writer, deeply involved in the Bengal School of Art.

Career

Roy worked as an actor, director, costume designer, and art director. As actor, he acted in the silent film Shiraz (1928) playing Prince Khurram (later Emperor Shah Jahan).[4][5]

As director: He directed many films, including Bigraha, Kuhu-o-Keka, Bangalee (1936), and Pathik (1939).[6]

Beyond cinema, Roy was a painter trained in the Kalighat style and contributed to Bengali modern art. He was also a cartoonist for prominent Bengali publications.

Personal life

He married Maya Roy in 1919, and they had at least one son, Mukul. Later in life, he continued his artistic work despite financial challenges, and passed away in Calcutta in 1971.

Filmography

As director

  • Loves of a Mughal Prince (1928)
  • Bigraha (1930)
  • Swami (1931)
  • Chorekanta (1931)
  • Rajnati Basantsena
  • Diljani (1935)
  • Daku Ka Ladka (1935)
  • Kuhu-o-Keka (1936)
  • Graher Pher (1936)
  • Bangalee (1936)
  • Pathik (1939)[7]

As actor

Legacy

Charu Roy is remembered as a pioneer in blending visual art with early Indian cinema. His film Bangalee is noted for its realist portrayal of middle-class Bengali life.[9]

References

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