Chorus (Erasure album)

Upon its release, Chorus became Erasure's third consecutive number-one album in the UK and gave them four more top twenty hits. In the US, it was Erasure's highest-debuting and highest-peaking album on the Billboard 200 at the time, entering at number 29. It gave Erasure their first Billboard Hot 100 entry since "Stop!" with the title track, which also charted well on the Modern Rock Tracks chart and Billboard's Hot Dance Music/Club Play chart. Chorus also charted well in Germany, where it peaked at number thirteen.

Prior to the album's production, programmer Vince Clarke had noticed technical limitations of the by-then-predominant MIDI sequencing standard. Specifically, triggering multiple notes at once queues them and sends them one at a time, resulting in "MIDI slop". In an effort to eliminate this and give the album a "tighter" feel, he avoided MIDI completely, using primarily analog synthesizers and the Roland MC-4 CV/gate sequencer. Avoiding MIDI had other side effects on the sound of the album, such as the lack of chorded voices (the MC4 can only trigger four notes at a time, lending itself well to playing four monophonic parts) and the absence of digital synthesizers and samplers, due to lack of CV/gate control on available models.^[3] Clarke would continue with this production technique for later recordings through the 90s.^[4]

Chorus was also released as a limited-edition CD in special packaging. Instead of a jewel case, it came in a folding cardboard box. The cover was also different, with the two portraits taken from the side instead of the front, as on the cassette releases. It included the standard lyrics booklet, as well as 8 picture cards with various artwork. The first four are the stock photography from the booklet and have "e" logo backs: family on the beach (later used for the "Love to Hate You" single cover), a business meeting group, three businessmen at a construction site, and a woman and child bicycling. The next four are the portraits from the album cover, one each of Clarke and Bell from the front and side. The backs of these have patient data from Clarke and Bell's MRI scans.

Another special edition was released as a promotional item for the music industry: a hardcover book entitled Chorus Software User Manual with hidden compartments inside which hold a copy of the CD and cassette as well as the same 8 cards as the other special edition.

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[7]
Calgary Herald	C[8]
Entertainment Weekly	C[9]
Melody Maker	(favorable)[10]
NME	8/10[11]
Q	[12]
Smash Hits	[13]

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Upon its release, Andrew Smith of Melody Maker praised Erasure as a duo who produce "the purest, most perfect pop imaginable" and have "often suffered from their stunning simplicity being mistaken for naivety". He described Chorus as an album of "sparkling three-minute wonders" and added that "often the [lyrical] imagery is awkward or clumsy, but allied to those famously transcendent melodies, this is all the more charming". He believed it to be an improvement over Wild! (which "contained so much dead wood") and noted it is "timeless as timeless comes", adding that the songs "could be played on balalaikas and they'd still sound bloody marvellous".^[14] Barbara Ellen of NME considered Chorus to "further underline" Erasure as "composers par excellence of exquisitely vivid pop tunes". She noted that on the album Clarke has "pruned down their enormous sound", describing it as "at times basic and workmanlike until Bell's filthy, fruity vocals come in and take us off to fantasy land again". She concluded, "Chorus is, in effect, hyper-emotional, subtly camp, dizzyingly-layered quality disco."^[11]

• Andy Bell – vocals
• Vince Clarke – synthesizers, programming
• Dave Bascombe – mixing
• Me Company (Paul White) – design
• Martyn Phillips – producer