Christmess

Australian Christmas film From Wikipedia, the free encyclopedia

Christmess is a 2023 Australian Christmas film written and directed by Heath Davis. It stars Hannah Joy, Steve Le Marquand, and Darren Gilshenan.

Directed byHeath Davis
Screenplay byHeath Davis
Produced by
  • Rick Beecroft
  • Heath Davis
  • Daniel Fenech
  • Jai Kemp
  • Mathew McCracken
  • Cindy Pritchard
Quick facts Directed by, Screenplay by ...
Christmess
Directed byHeath Davis
Screenplay byHeath Davis
Produced by
  • Rick Beecroft
  • Heath Davis
  • Daniel Fenech
  • Jai Kemp
  • Mathew McCracken
  • Cindy Pritchard
Starring
CinematographyChris Bland
Edited byRomain Mongin
Music byMatt Sladen
Production
companies
  • Albert Street Films
  • Brick Studios
Release dates
CountryAustralia
LanguageEnglish
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Premise

Three recovering addicts try to get through the festive season without relapsing, in Campbelltown, a suburb in western Sydney, Australia.[1]

Cast

Production

An independent Australian film, Christmess is written and directed by Heath Davis.[2] Davis began writing an “authentic” Christmas film after Christmas 2020 when he spent time in isolation during the COVID-19 pandemic without work or family, and watched a lot of “bad Christmas films”.[3]

It is produced by Daniel Fenech, Cindy Pritchard, and Matthew McCracken. Funding for the film partially came from crowd-funding.[4]

Casting

The film marks the feature film acting debut of Hannah Joy, the lead singer with rock band Middle Kids. Joy wrote several original songs for Christmess, including Empty Chair, Deadbeat Dads, and Boxing Day and performs all three songs in character during the film.[5]

Filming

Principal photography got underway in Sydney in June 2022 with a three-week filming schedule.[6]

Release

The film had its world premiere at the Austin Film Festival on 29 October 2023. It was released in Australia on 30 November 2023.[7][8]

Reception

Nadine Whitney in The Curb described the film as "painful, hopeful, gentle, and funny as hell".[9]

Luke Buckmaster in The Guardian described it as "a very absorbing film, tenderly written and directed".[10]

See also

References

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