Church of Gay Jesus
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Episode 10
| "Church of Gay Jesus" | |
|---|---|
| Shameless episode | |
| Episode no. | Season 8 Episode 10 |
| Directed by | Anna Mastro |
| Written by | Sheila Callaghan |
| Cinematography by | Kevin McKnight |
| Editing by | Russell Denove |
| Original release date | January 14, 2018 |
| Running time | 57 minutes |
| Guest appearances | |
| |
"Church of Gay Jesus" is the tenth episode of the eighth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 94th overall episode of the series and was written by executive producer Sheila Callaghan, and directed by Anna Mastro. It originally aired on Showtime on January 14, 2018.
The series is set on the South Side of Chicago, Illinois, and depicts the poor, dysfunctional family of Frank Gallagher, a neglectful single father of six: Fiona, Phillip, Ian, Debbie, Carl, and Liam. He spends his days drunk, high, or in search of money, while his children need to learn to take care of themselves. In the episode, Fiona runs into a problem with one of the residents at the building, while Ian accepts the "Gay Jesus" mantle.
According to Nielsen Media Research, the episode was seen by an estimated 1.52 million household viewers and gained a 0.55 ratings share among adults aged 18–49. The episode received mostly positive reviews from critics, who considered it as an improvement over previous episodes.
Fiona (Emmy Rossum) visits Nessa (Jessica Szohr), who reveals that she had a miscarriage. She leaves her to go shopping with Ford (Richard Flood). Frank (William H. Macy) is hopeful that he will finally get to retire, but learns that he does not meet the annual criteria to apply.
Kevin (Steve Howey) and Veronica (Shanola Hampton) help Svetlana (Isidora Goreshter) with her situation by finding a sugar daddy for her. They find an old rich man, but Svetlana punches him when the man makes it clear he only wants sex. Kevin suggests using an earpiece to help her, but Svetlana deviates from their plan. Fiona discovers that Rodney (Michael Gambino), a man who fell off the roof while fixing it, has no home for his family. Trevor (Elliot Fletcher) refers them to a family shelter, but since it will take two days, Fiona allows him to move in with his family to the vacant apartment, she was using, rent-free. However, she is dismayed when Rodney rents the apartment to more people.
Lip (Jeremy Allen White) goes to visit Youens in prison, but is shocked when an officer informs him that Youens died a few days prior. He visits his house and meets his estranged daughter Tabitha (Fiona Dourif), who reveals that Youens died of a seizure due to his alcohol withdrawal. Later, Lip attends the memorial service, but is disheartened to learn he was not the only student to have had a close relationship with Youens; Lip crumples his eulogy and abruptly leaves the ceremony. With Ian (Cameron Monaghan) accepting the "Gay Jesus" mantle for his protests, Frank decides to seize the opportunity to sell merchandising. While Ian initially refuses, he agrees to let Frank do it if donates 95% of the profits to the youth center. Kassidi (Sammi Hanratty) wants Carl (Ethan Cutkosky) to marry her as soon as possible, refusing to let him go to military school before they are officiated.
Debbie (Emma Kenney) returns to welding, but discovers that the property is run by non-union crews, and some end up arrested. She finds a more legitimate job, but suffers an accident when a pipe falls on her toe. Lip returns to Youens' home and consoles Tabitha. Kassidi fakes a suicide hanging to pressure Carl into an impromptu wedding; Carl reluctantly agrees to get married. Ian delivers another speech at a church to his followers, which is met with ovation. Fiona arrives home to talk with Veronica, when a man gives her papers. Fiona is shocked by learning that Rodney is suing her for $6 million for the injury.
Production
Development
The episode was written by executive producer Sheila Callaghan, and directed by Anna Mastro. It was Callaghan's 12th writing credit, and Mastro's first directing credit.[1]