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Church of St Mary in the Baum, Rochdale

Church in Greater Manchester, England From Wikipedia, the free encyclopedia

The Church of St Mary in the Baum or Church of St Mary-in-the-Baum is an Anglican church in the diocese of Manchester, England. Commissioned in 1738, and opened in 1742 as a chapel of ease, the chapel was extended in the 19th century. In the very early 20th century the church authorities determined to construct a new building and they commissioned Ninian Comper to undertake the task. Comper designed a completely new church to an unusual plan, due to the constriction of the urban site. He incorporated elements of the original chapel into the new design.

Quick facts The Parish church of Saint Mary in the Baum, Wardleworth, Rochdale, OS grid reference ...
The Parish church of Saint Mary in the Baum, Wardleworth, Rochdale
Saint Mary in the Baum
The Parish church of Saint Mary in the Baum, Wardleworth, Rochdale is located in Greater Manchester
The Parish church of Saint Mary in the Baum, Wardleworth, Rochdale
The Parish church of Saint Mary in the Baum, Wardleworth, Rochdale
Location in Greater Manchester
53.6188°N 2.1585°W / 53.6188; -2.1585
SD 89607 13606
LocationRochdale, Greater Manchester
CountryEngland
DenominationAnglican
ChurchmanshipAnglo-catholic
Websiterochdaleparishchurches.org.uk
History
StatusParish Church
Founded1909
DedicationSt. Mary
Dedicated2nd February, 1911
Consecrated1912
Architecture
Functional status
Active
Heritage designation
Grade I
ArchitectNinian Comper
Architectural type
Gothic Revival
StylePerpendicular Gothic
Groundbreaking1909
Completed1911
Administration
ProvinceProvince of York
DioceseDiocese of Manchester
ArchdeaconryRochdale
ParishSaint Mary in the Baum
Clergy
ArchbishopThe Most Revd and Rt Hon Stephen Cottrell
BishopThe Rt Revd Mark Davies
PriestIn Vacancy
Close

St Mary's remains an active parish church in the Anglican Diocese of Manchester. It is a Grade I listed building.

History

The first church on the present site was a chapel of ease opened in 1742. The name supposedly derives from the fields of Melissa plant which grew on the site.[1][a] The land and much of the funding was supplied by Samuel Chetham, of Turton Tower and Castleton Hall and High Sheriff of Lancashire in 1738.[3] The church was extended in the 19th century but by the 20th was in a state of disrepair. The parish authorities determined that repairing the structure would be more expensive than the construction of a new building and commissioned Ninian Comper to design a new church.[2] Sir Ninian Comper (1864-1960) was born in Scotland. Specialising in ecclesiastical architecture, he established a major practice as one of the last proponents of the Gothic Revival.[4] Respecting the parishioners’ affection for the original chapel, Comper incorporated elements from it into the new structure including the altar and the bell-cot.[5][6]

The church remains an active parish church in the Rochdale parish.[7]

Architecture and description

The site of the church was restricted, to which Comper responded with an unusual floor plan. The nave and chancel are both placed on the south side, to take advantage of the light, while two aisles run along the north side. The architectural style is also rare; the brief required Comper to respect and reflect the design of the original chapel. The body of the church is his trademark Perpendicular Gothic, while the exterior aisle wall is Neoclassical. The church is built of red brick, with ashlar dressings.[3] Claire Hartwell and Matthew Hyde, in their 2004 revised Lancashire: Manchester and the South-East Pevsner, describe the "sensationally high nave [as] uniquely effective’’.[5]

The interior contains a memorial stained glass window by Comper which commemorates the members of the parish killed in the First and Second World Wars.[8] Also by Comper are two Christ Pantocrators, images of a beardless adult Jesus unusual in Christian iconography. The church is a Grade I listed building.[3]

Folklore

In local folklore, the church's graveyard is home to a boggart or bogey known as the Baum Rappit. It takes a form of a ghostly rabbit with pure white fur.[9][10][11]

See also

Notes

  1. In Medieval times, the plant was used as a balm, "baum" in the local Lancashire dialect.[2]

References

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