Circumstantial Evidence (1952 film)
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| Circumstantial Evidence | |
|---|---|
.jpg) | |
| Directed by | Daniel Birt |
| Written by | Allan MacKinnon |
| Produced by | Philip Brandon |
| Starring | Rona Anderson Patrick Holt Frederick Leister |
| Cinematography | Brendan J. Stafford |
| Edited by | Eily Boland |
Production company | |
| Distributed by | Monarch Film Corporation |
Release date |
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Running time | 61 minutes |
| Country | United Kingdom |
| Language | English |
Circumstantial Evidence is a 1952 British second feature ('B')[1] crime film directed by Daniel Birt and starring Rona Anderson, Patrick Holt and Frederick Leister.[2] It was written by Allan MacKinnon.
Linda Harrison is about to divorce her estranged husband Steve, who walked out on her nearly three years earlier. Since his departure she has met and fallen in love with another man, Michael Carteret, and they intend to marry as soon as she can divorce Steve for desertion. Then Steve walks back into Linda's life, with the sole purpose of making trouble, and as much money as he can. He steals Michael's love letters to Linda, and tries to blackmail her and Michael; he demands that Michael visit him or he will take the letters to the General Medical Council. Michael goes to see Steve and tells him they have no intention of paying him anything, and that the GMC will have more sense than to take notice of his insinuations. But then Steve insults Linda and Michael punches him. Soon afterwards, Steve is found dead and the evidence points to Michael Carteret as the murderer. Linda sets out to prove his innocence.
Cast
- Rona Anderson as Linda Harrison
- Patrick Holt as Michael Carteret
- John Arnatt as Steve Harrison
- John Warwick as Pete Hanken
- Frederick Leister as Sir Edward Carteret
- Ronald Adam as Sir William Hanson QC
- June Ashley as Rita Hanken
- Peter Swanwick as Charlie Pott
- Lisa Lee as Gladys Vavasour
- Ballard Berkeley as Inspector Hall
- Ian Fleming as Commander Hewitt
- Ben Williams as Brand
- Leonard White as Det. Sgt. Davey
Production
The film was produced by Phil Brandon for Act Films Ltd.[3] It was made at Shepperton Studios. Art Director Norman G. Arnold designed the sets.