Colin Blakely
Northern Irish actor (1930–1987)
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Colin George Edward Blakely[1] (23 September 1930 – 7 May 1987) was a Northern Irish stage and screen actor. He was nominated for a BAFTA Award for Best Actor in a Supporting Role for his performance in Sidney Lumet's Equus (1977), and was nominated twice for a Best Actor in Television (1970, 1987). He was also an Olivier Award nominee.
23 September 1930
Colin Blakely | |
|---|---|
Blakely (left) as Dr. Watson in the film The Private Life of Sherlock Holmes (1970) | |
| Born | Colin George Blakely 23 September 1930 Bangor, Northern Ireland |
| Died | 7 May 1987 (aged 56) London, England |
| Education | Sedbergh School |
| Occupation | Actor |
| Years active | 1957–1987 |
| Spouse | |
| Children | 3 sons |
According to the British Film Institute, Blakely's "chunky form and rumpled, good-natured features tended to direct him towards hero's-friend roles, but there was also an impressive toughness and intensity about his work."[2]
Early life
Blakely was born in Bangor, County Down, the son of Victor and Dorothy Blakely (née Ashmore).[1] His mother was a singer in the D'Oyly Carte Opera Company and his father owned a sports retail shop in Belfast.[1] He attended Sedbergh School in Yorkshire (now Cumbria), England.[1][3]
At the age of 18, he started work in his family's sports goods shop in Belfast,[1] before going on to work as a timber-loader on the railways.[citation needed] In 1957, after a spell of amateur dramatics with the Bangor Drama Club, he turned professional with the Group Theatre, Belfast.[1]
Career
Theatre
In 1958, Blakely made his stage debut in Belfast as Dick McCardle in Master of the House.[3][1] He also appeared in several Ulster Group Theatre productions, including Gerard McLarnon's The Bonefire (1958)[4] and Patricia O'Connor's The Sparrow's Fall (1959).[5] From 1959 he was at the Royal Court Theatre, appearing in Cock-a-Doodle Dandy, Serjeant Musgrave's Dance[3] and, to critical approval, The Naming of Murderer's Rock.[6][7][8] In the Royal Court production of Saint Joan, starring Joan Plowright, he had the small but prominent role of the English Soldier.[9] Blakely himself said, about his transfer to working in England,
I was lucky then because the Royal Court were looking for actors like me at that time. Arden, Wesker, and so forth were writing for your plebians with rough knocked-about looking faces, so I got a job quite easily.[10]
In 1961, he joined the Royal Shakespeare Company at Stratford-upon-Avon,[3] before joining the National Theatre for its opening in 1963 at the Old Vic;[3][11] he was part of the NT cast that toured Moscow in 1965, the first time a foreign company was allowed to perform at the Kremlin.[12][3][1] Critics and theatre historians have numbered Blakely among the actors like Maggie Smith and Derek Jacobi whose talent emerged in the NT's early years;[13][14] Laurence Olivier specifically named him as an example of the "Versatile... deeply enthusiastic, courageous, gifted" actors he had sought to hire as director.[15]
Among the many stage plays in which he appeared were The Recruiting Officer, The Royal Hunt of the Sun, Filumena Marturano, Volpone and Oedipus.[3][11] He returned to the Royal Shakespeare in 1971 in Harold Pinter's Old Times and was subsequently in many West End plays.[3][11]
In 1977, he was nominated for the Olivier Award for Actor of the Year in a New Play for his performance in Just Between Ourselves.[16]
Film
Notable film roles included Maurice Braithwaite in This Sporting Life (1963),[17] Sir Thomas More's house servant Matthew in A Man for All Seasons (1966), Dr. Watson to Robert Stephens's Holmes in Billy Wilder's The Private Life of Sherlock Holmes (1970),[3] and the ageing Joseph Stalin in Jack Gold's Red Monarch (1983).[6][1][a][b] In the 1975 British film, It Shouldn't Happen to a Vet, derived from the James Herriot books, Blakely played the eccentric Siegfried Farnon. (Blakely's Son of Man co-star Robert Hardy would play the role in the 1978-1990 BBC television series All Creatures Great and Small.)
Blakely appeared in two films based on the Hercule Poirot novels of Agatha Christie, described as having "all-star" casts: Murder on the Orient Express (1974) and Evil Under the Sun (1982).[21] He also appeared in The Long Ships (1964),[22] Young Winston (1972),[23] The National Health (1973),[22] The Pink Panther Strikes Again (1976),[24] Equus (1977),[25] The Dogs of War (1980),[26] Nijinsky (1980)[27] and Loophole (1981).[22]
His last film role was as Peppone in the Italian comedy The World of Don Camillo (1984), directed by and starring Terence Hill.
Television
On television, Blakely appeared in the "Armchair Theatre" series in 1962, episode "The Hard Knock" and director Charles Crichton unusually cast Blakely in two different roles during the same run of episodes of the 1967 series Man in a Suitcase.
In 1969, Blakely's controversial role as an anguished Jesus Christ in Dennis Potter's Son of Man gained him wide recognition.[3] He became a regular on British television,[6] and in the same year played the leading role in a BBC adaptation of Anthony Trollope's The Way We Live Now.[28]
Noted for his skill in Shakespearean parts,[29] Blakely appeared on television as Antony in Antony and Cleopatra (1981), directed by Jonathan Miller as part of the BBC Television Shakespeare series;[30] and as Kent in the 1983 Granada Television version of King Lear which starred Laurence Olivier.[31] Other television appearances included The Beiderbecke Affair (1985), Operation Julie (1985)[32] and Paradise Postponed (1986).[6]
Personal life
In 1961 Blakely married British actress Margaret Whiting: they had worked together in A Moon for the Misbegotten the previous year. The couple had three sons,[3][29][1] Drummond, Cameron and Hamish.[33]
Death
Until two months before his death from leukaemia, he was performing in A Chorus of Disapproval in the West End while undergoing chemotherapy.[34] Though visibly in pain from the disease, he recorded a video appeal for routine cancer tests.[35] Blakely died, aged 56, at the Middlesex Hospital on May 7, 1987.[36]
Awards and nominations
| Year | Awards | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|---|
| 1970 | British Academy Television Awards | Best Actor | The Wednesday Play: Son of Man / The Way We Live Now | Nominated | [37] |
| 1977 | Laurence Olivier Awards | Actor of the Year in a New Play | Just Between Ourselves | Nominated | [38] |
| 1978 | British Academy Film Awards | Best Actor in a Supporting Role | Equus | Nominated | [39] |
| 1987 | British Academy Television Awards | Best Actor | ScreenPlay: Drums Across Balmoral Drive | Nominated | [37] |
Filmography
- Saturday Night and Sunday Morning (1960) – Loudmouth
- The Hellions (1961) – Matthew Billings
- The Password Is Courage (1962) – 1st German Goon
- This Sporting Life (1963) – Maurice Braithwaite
- The Informers (1963) – Charlie Ruskin
- The Long Ships (1964) – Rhykka
- Never Put It in Writing (1964) – Oscar
- The Counterfeit Constable (1964) – L'aveugle
- A Man for All Seasons (1966) – Matthew
- The Spy with a Cold Nose (1966) – Russian Premier
- Charlie Bubbles (1967) – Smokey Pickles
- The Day the Fish Came Out (1967) – The Pilot
- The Vengeance of She (1968) – George
- Decline and Fall... of a Birdwatcher (1968) – Solomon Philbrick
- Alfred the Great (1969) – Asher
- The Private Life of Sherlock Holmes (1970) – Dr. Watson
- Something to Hide (1972) – Blagdon
- Young Winston (1972) – Butcher
- The National Health (1973) – Edward Loach
- Murder on the Orient Express (1974) – Cyrus B. Hardman
- Galileo (1975) – Priuli
- It Shouldn't Happen to a Vet (1975) – Siegfried Farnon
- The Pink Panther Strikes Again (1976) – Alec Drummond
- Equus (1977) – Frank Strang
- The Big Sleep (1978) – Harry Jones
- Meetings with Remarkable Men (1979) – Tamil
- The Day Christ Died (1980) - Caiaphas
- Nijinsky (1980) – Vassili
- Little Lord Fauntleroy (1980) – Silas Hobbs
- The Dogs of War (1980) – North
- Loophole (1981) – Gardner
- Nailed (1981) – Elder Protestant
- Evil Under the Sun (1982) – Sir Horace Blatt
- Trail of the Pink Panther (1982) – Alec Drummond (archive footage) (uncredited)
- The World of Don Camillo (1984) – Peppone
Notes
- He screen-tested for the lead role in Morgan – A Suitable Case for Treatment, which went instead to David Warner.[19][20]