Colin Blakely
Northern Irish actor (1930–1987)
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Colin George Edward Blakely[1] (23 September 1930 – 7 May 1987) was a Northern Irish stage and screen actor. He was nominated for a BAFTA Award for Best Actor in a Supporting Role for his performance in Sidney Lumet's Equus (1977), and was nominated twice for a Best Actor in Television (1970, 1987). He was also an Olivier Award nominee.
23 September 1930
Colin Blakely | |
|---|---|
Blakely (left) as Dr. Watson in the film The Private Life of Sherlock Holmes (1970) | |
| Born | Colin George Blakely 23 September 1930 Bangor, Northern Ireland |
| Died | 7 May 1987 (aged 56) London, England |
| Education | Sedbergh School |
| Occupation | Actor |
| Years active | 1957–1987 |
| Spouse | |
| Children | 3 sons |
According to the British Film Institute, Blakely's "chunky form and rumpled, good-natured features tended to direct him towards hero's-friend roles, but there was also an impressive toughness and intensity about his work."[2]
Early life
Blakely was born in Bangor, County Down, the son of Victor and Dorothy Blakely (née Ashmore).[1] His mother was a singer in the D'Oyly Carte Opera Company and his father owned a sports retail shop in Belfast.[1] He attended Sedbergh School in Yorkshire (now Cumbria), England.[1][3]
At the age of 18, he started work in his family's sports goods shop in Belfast.[1] After a spell of amateur dramatics with the Bangor Operatic Society,[3][4][5][1] he turned professional aged 27.[6][a]
Career
Theatre
In 1958, Blakely made his Belfast stage debut as Dick McCardle in Stanley Houghton's Master of the House.[3][1] He also appeared in several Ulster Group Theatre productions,[8] including Gerard McLarnon's The Bonefire (1958)[9] and Patricia O'Connor's The Sparrow's Fall (1959).[10] From 1959 he was at the Royal Court Theatre,[3][5] appearing in Cock-a-Doodle Dandy, Serjeant Musgrave's Dance[3][5][1] and, to critical approval, The Naming of Murderer's Rock.[4][11][12] In the Royal Court production of Saint Joan, starring Joan Plowright, he had the small but prominent role of the English Soldier.[13] Blakely himself said, about his transfer to working in England,
I was lucky then because the Royal Court were looking for actors like me at that time. Arden, Wesker, and so forth were writing for your plebians with rough knocked-about looking faces, so I got a job quite easily.[6]
In 1961, he joined the Royal Shakespeare Company at Stratford-upon-Avon,[3] before joining the National Theatre for its opening in 1963 at the Old Vic;[3][14] he was part of the NT cast that toured Moscow in 1965, the first time a foreign company was allowed to perform at the Kremlin.[15][3][1] Critics and theatre historians have numbered Blakely among the actors like Maggie Smith and Derek Jacobi whose talent emerged in the NT's early years;[16][17][18] Laurence Olivier specifically named him as an example of the "Versatile... deeply enthusiastic, courageous, gifted" actors he had sought to hire as director.[19]
Among the many stage plays in which he appeared were The Recruiting Officer, The Royal Hunt of the Sun, Filumena Marturano, Volpone and Oedipus.[3][14][20] He returned to the Royal Shakespeare in 1971 in Harold Pinter's Old Times and was subsequently in many West End plays.[3][14]
In 1977, he was nominated for the Olivier Award for Actor of the Year in a New Play for his performance in Just Between Ourselves.[21]
Film
Notable film roles included Maurice Braithwaite in This Sporting Life (1963),[22] Sir Thomas More's house servant Matthew in A Man for All Seasons (1966),[23] Dr. Watson to Robert Stephens's Holmes in Billy Wilder's The Private Life of Sherlock Holmes (1970),[3] and the ageing Joseph Stalin in Jack Gold's Red Monarch (1983), a part he played with his native Ulster accent.[4][1][24][b] In the 1975 British film, It Shouldn't Happen to a Vet, derived from the James Herriot books, Blakely played gruff Yorkshire vet Siegfried Farnon.[28][29][c]
On stage, Blakely played the psychiatrist in Peter Shaffer's Equus, but for Sidney Lumet's 1977 film adaptation of the play he took the part of the tormented young protagonist's father; he was nominated for a BAFTA Award for Best Actor in a Supporting Role.[32][13][33] He appeared in two films based on the Hercule Poirot novels of Agatha Christie, described as having "all-star" casts: Murder on the Orient Express (1974) and Evil Under the Sun (1982).[34] Other film roles included The Long Ships (1964),[35] Young Winston (1972),[36] The National Health (1973),[35] The Pink Panther Strikes Again (1976),[37] The Dogs of War (1980),[38] Nijinsky (1980)[39] and Loophole (1981).[35]
His last film role was in the Italian comedy The World of Don Camillo (1984), directed by and starring Terence Hill.[40][41]
Television
In 1969, Blakely's controversial role as an anguished Jesus Christ in Dennis Potter's Son of Man gained him wide recognition.[3][42] He became a regular on British television,[3][4][1] and in the same year played the leading role in a BBC adaptation of Anthony Trollope's The Way We Live Now.[43] In The Hanged Man (1975), he starred as a tycoon who fakes his own death in order to find out who has tried to assassinate him.[44]
Noted for his skill in Shakespearean parts,[45] Blakely appeared on television as Antony in Antony and Cleopatra (1981), directed by Jonathan Miller as part of the BBC Television Shakespeare series;[46] and as Kent in the 1983 Granada Television version of King Lear which starred Laurence Olivier.[47][d] Other television appearances included The Beiderbecke Affair (1985),[49] Operation Julie (1985)[50] and Paradise Postponed (1986).[4] His work as a white Zimbabwean adjusting to majority rule, in Douglas Livingstone's BBC-TV play Drums Along Balmoral Drive (1986), won him a BAFTA nomination.[51][3][1] He last appeared onscreen in a 1987 production of The Birthday Party, broadcast a month after his death.[52]
Personal life
In 1961 Blakely married British actress Margaret Whiting: they had worked together in A Moon for the Misbegotten the previous year. The couple had three sons,[3][45][1] Drummond, Cameron and Hamish.[53]
Death
Until two months before his death from leukaemia, he was performing in A Chorus of Disapproval in the West End while undergoing chemotherapy.[52] Though visibly in pain from the disease, he recorded a video appeal for routine cancer tests.[54] Blakely died, aged 56, at the Middlesex Hospital on May 7, 1987.[5]
Legacy
During his lifetime, Blakely was named as one of a postwar generation of British actors who succeeded in making provincial accents more widely heard;[13] in 1993, Belfast actor Stephen Rea said, "Colin Blakely made it possible for all Irish actors to speak in their own voices".[55] In September 2022, a blue plaque in his honour was unveiled at Bangor Drama Club's Studio 1A site.[56]
Awards and nominations
| Year | Awards | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|---|
| 1970 | British Academy Television Awards | Best Actor | The Wednesday Play: Son of Man / The Way We Live Now | Nominated | [57] |
| 1977 | Laurence Olivier Awards | Actor of the Year in a New Play | Just Between Ourselves | Nominated | [58] |
| 1978 | British Academy Film Awards | Best Actor in a Supporting Role | Equus | Nominated | [33] |
| 1987 | British Academy Television Awards | Best Actor | ScreenPlay: Drums Across Balmoral Drive | Nominated | [57] |
Filmography
- Saturday Night and Sunday Morning (1960) – Loudmouth
- The Hellions (1961) – Matthew Billings
- The Password Is Courage (1962) – 1st German Goon
- This Sporting Life (1963) – Maurice Braithwaite
- The Informers (1963) – Charlie Ruskin
- The Long Ships (1964) – Rhykka
- Never Put It in Writing (1964) – Oscar
- The Counterfeit Constable (1964) – L'aveugle
- A Man for All Seasons (1966) – Matthew
- The Spy with a Cold Nose (1966) – Russian Premier
- Charlie Bubbles (1967) – Smokey Pickles
- The Day the Fish Came Out (1967) – The Pilot
- The Vengeance of She (1968) – George
- Decline and Fall... of a Birdwatcher (1968) – Solomon Philbrick
- Alfred the Great (1969) – Asher
- The Private Life of Sherlock Holmes (1970) – Dr. Watson
- Something to Hide (1972) – Blagdon
- Young Winston (1972) – Butcher
- The National Health (1973) – Edward Loach
- Murder on the Orient Express (1974) – Cyrus B. Hardman
- Galileo (1975) – Priuli
- It Shouldn't Happen to a Vet (1975) – Siegfried Farnon
- The Pink Panther Strikes Again (1976) – Alec Drummond
- Equus (1977) – Frank Strang
- The Big Sleep (1978) – Harry Jones
- Meetings with Remarkable Men (1979) – Tamil
- The Day Christ Died (1980) - Caiaphas
- Nijinsky (1980) – Vassili
- Little Lord Fauntleroy (1980) – Silas Hobbs
- The Dogs of War (1980) – North
- Loophole (1981) – Gardner
- Nailed (1981) – Elder Protestant
- Evil Under the Sun (1982) – Sir Horace Blatt
- Trail of the Pink Panther (1982) – Alec Drummond (archive footage) (uncredited)
- The World of Don Camillo (1984) – Peppone
Notes
- Blakely's entry in the Dictionary of Irish Biography says his first professional appearance was in Gwent in 1957;[1] his obituaries in The Times, The Daily Telegraph and The Guardian say Belfast the following year.[3][4][5] The Los Angeles Times only mentions engagements "in Belfast and Wales" before his London debut.[7]
- He also screen-tested for the lead role in Morgan – A Suitable Case for Treatment, which went instead to David Warner.[30][31]