Cornelis de Bryer

De Bryer painted fruit still lifes, vanitas still lifes and pronkstillevens, i.e. sumptuous still lifes of luxurious objects.^[2][5] His dated works are 10 still lifes, which bear dates between 1651 and 1658.^[6] He signed Bryer or Brier.^[7]

De Bryer is regarded as a member of the circle of painters who were influenced by Jan Davidsz de Heem, a Dutch still life painter who was active in Antwerp at the same time as de Bryer and was himself influenced by Flemish still life painters such as Frans Snyders, Adriaen van Utrecht and Daniel Seghers.^[8][9] De Bryer's style clearly shows the influence of the school of Jan Davidsz. de Heem. This is borne out by one of his works, a signed Still life of grapes, roemer and bread in the Bonnefantenmuseum, Maastricht, which demonstrates his familiarity with the work of Jan Davidsz. and his son Cornelis de Heem, who both worked for long periods of time in Antwerp.^[3] De Bryer shared with de Heem an interest in rendering metallic reflections in metallic objects. He showed a high level of technical accomplishment in his rendering of materials.^[6]

Another work, formerly in the collection of the Dukes of Beaufort, is more reminiscent of the work of the contemporary Antwerp still life artist Joris van Son.^[3]

• Media related to Cornelis de Bryer at Wikimedia Commons