Crete Cage played piano at a Protestant church in Colorado as a young woman.[4] She was a "professional club woman" in the 1920s, state chair of press and publicity for the California Federation of Women's Clubs, until 1931, when she retired to become president of the Hostess Presidents' Club.[5] In 1935 she was named to the executive committee of the Women's Civic Conference.[6] She was heard on radio, giving reports on women's club activities in Southern California.[7][8] She was part of a group of women who started an "arts and crafts" cooperative shop in downtown Los Angeles, to help unemployed craftsmen sell their work during the Depression.[9] She was also active in leadership at the Ebell Club, and founder of the Lincoln Study Club chapters in Detroit and Los Angeles.[5][10]
Cage worked at the Los Angeles Times from 1934 to 1939, as a society page editor, covering women's clubs.[11][12][13] With her Times colleague, music critic Isabel Morse Jones, she worked for a new concert hall for the Los Angeles Philharmonic.[14]
Her son John Cage wrote a composition for solo piano titled "Crete" (1944 or 1945), named for her.[15]
