The central panel shows the crucifixion of Christ surrounded by figures, supported on the left with a panel showing Ecce Homo, and on the right with the Resurrection. The lower triptych shows Jesus carrying the cross along the road to Calvary, supported on the left with Christ at the Column and on the right with the Man of Sorrows being crowned with thorns. The archives of Alkmaar still have the original correspondence regarding the polyptych, which was paid for in periodic payments as it was installed in the Sint-Laurenskerk, Alkmaar. It was completed in 1543 to everyone's satisfaction. After the Protestant Reformation in 1575 it was removed to the Alkmaar city hall and in 1581 it was sold as being "too Catholic". The painting was documented by Karel van Mander in his Schilder-boeck in 1604, and since by then it was already in Sweden, his description is simply that it was "cleverly done":
T'Alcmaer was van Marten in de groote Kerck t'hoogh Altaer, een Crucifix, inwendich op de deuren de Passie, uytwendich d'Historie van S. Laurens, alles seer constigh ghedaen..[2][3]
The painting is typical of Heemskerck's style after his return from Italy, showing his tendency to crowd figures to fill the space in each panel.
