Desert Wind (album)
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October 1989 (France, Scandinavia)[1]
November 17, 1989 (Japan)[2]
January 15, 1990 (US)[3]
| Desert Wind | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | September 29th 1989 (Europe) October 1989 (France, Scandinavia)[1] November 17, 1989 (Japan)[2] January 15, 1990 (US)[3] | |||
| Recorded | 1988–1989 | |||
| Genre | ||||
| Length | 49:15 | |||
| Language | Hebrew, Arabic, English | |||
| Label | Sire/Warner Bros. Records (U.S.) 25976 Teldec/WEA Records (international) Warner Pioneer Records (Japan) Hed Arzi (Israel) | |||
| Producer | Arif Mardin Joe Mardin Ofra Haza Thomas Dolby Bezalel Aloni | |||
| Ofra Haza chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| Chicago Tribune |  [5] |
| The Encyclopedia of Popular Music | [6] |
| Orlando Sentinel | [7] |
| The Rolling Stone Album Guide | [8] |
| Spin | (positive)[9] |
Desert Wind is an album by the Israeli singer Ofra Haza, released in 1989.[10][11] Popular in Israel, Haza was unknown in the rest of the world until the previous year, when the song "Im Nin'Alu" and the album Shaday were released. Desert Wind was therefore more oriented toward the international market.
The main language of the album is English, however Haza also sings in Arabic, Hebrew, and the ancient language of Aramaic. The album includes traditional folk Yemenite songs.[12] The sound is a mainstream form of dance music with elements of synthpop and, on track 8, an influence of house music. The album ends with "Kaddish," a Jewish prayer that, as Haza writes, is meant to hold all the world's sorrows on the wings of an angel. The song has a short English introduction; the main part of the prayer is in Aramaic.[citation needed]
The album was produced by Arif Mardin, Joe Mardin, Haza, Thomas Dolby, and Bezalel Aloni.[13]
Critical reception
Trouser Press wrote: "Making a self-conscious effort to maintain a connection to her musical roots while reaching out for mainstream appeal, Haza locates a fascinating midpoint between the Middle East and the Midwest on 'Ya Ba Ye', 'I Want to Fly' and 'Da’Asa'."[14] New York wrote that "the novelty of combining religious music with drum programs is interesting only the first few times ... Haza is at her best on the slow, dolorous closing cut, 'Kaddish'."[15] Spin thought that the music "teases our Western rock'n'roll longing for strangeness, then satisfies it by giving us soul and personality and cultural context."[16]
Track listing
- "Wish Me Luck" (Aloni, Haza) - 4:10
- "Ya Ba Ye" (Aloni, Haza) - 5:06
- "Middle East" (Aloni, Haza, Mardin) - 4:37
- "I Want to Fly" (Aloni, Amram, Haza) - 4:26
- "Slave Dream" (Aloni, Haza) - 4:46
- "Taw Shi" (Aloni, Dolby, Haza) - 3:28
- "Mm'mma (My Brothers Are There)" (Aloni, Haza) - 4:23
- "In Ta" (Aloni, Haza) - 5:50
- "Fatamorgana (Mirage)" (Aloni, Haza) - 4:59
- "Da'asa" (Aloni, Haza) - 2:41
- "Kaddish" (Aloni, Haza) - 4:34
