Dirk Hannema
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Dirk Hannema (16 September 1895 – 7 July 1984) was a controversial museum director and art collector. The Museum Boijmans flourished under his directorship, but he was also arrested and interned for eight months for his conduct during the German occupation of the Netherlands during World War II. Further, his reputation was severely damaged when he inaccurately attributed various forgeries to the painter Johannes Vermeer, among others. However, a quarter century after his death, he was at least partially vindicated when Le Blute-Fin Mill, a painting he had championed (to universal scorn) as a van Gogh, was finally authenticated as being by the renowned painter.[1]
Dirk Hannema was born in Batavia, Dutch East Indies, the son of Dirk Hannema and Hermine Elise de Stuers. When he was five, the family moved to the Netherlands. After graduating from high school and fulfilling his military service, he studied law at Leiden University between 1917 and 1919, and then art history at Utrecht University.
Museum Boijmans
He did not graduate, accepting a position as assistant at the Museum Boijmans in Rotterdam. When F. Schmidt Degener was appointed director of the Rijksmuseum, Hannema took his place as director of the Museum Boijmans at the age of 26.[2] Under his leadership, the museum made some notable acquisitions. He was also instrumental in the construction of a new building, built by architect A. van der Steur in close collaboration with Hannema. The building opened in 1935. That same year, Franz Koenigs loaned the museum his collection of drawings. In 1938, Hannema acquired Christ and the disciples at Emmaus or simply The Emmaus, a painting he attributed to Vermeer. (In 1945, the notorious forger Han van Meegeren claimed it as his work.[2]) Hannema was awarded an honorary doctorate by Utrecht University in 1939.
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