Document (album)

Document was R.E.M.'s first album to be co-produced by the band and Scott Litt; this was a collaboration that continued through the productions of Green, Out of Time, Automatic for the People, Monster, and New Adventures in Hi-Fi. The album's clear production and muscular rock riffs both helped to move the band toward mainstream success and built on the work done by Don Gehman, who had produced their previous album Lifes Rich Pageant. This release not only launched "The One I Love" — R.E.M.'s first Top 10 hit on the Billboard Hot 100 at number 9 — but also gave them their first platinum album.

R.E.M. expanded their instrumentation somewhat on the album, adding a dulcimer to "King of Birds" and a saxophone to "Fireplace".^[5] Steve Berlin was brought in to add his saxophone skills because of a prior relationship with producer Scott Litt.^[6] This experimentation would lead to their adoption of the mandolin, which featured prominently on their subsequent albums Green and Out of Time; furthermore, the band's musicians began swapping instruments both in concert and the studio with an effort to create new sounds and avoid stagnation.^[7]

The song "Strange" was originally recorded by post-punk band Wire on their debut album Pink Flag.

The original sleeve for the album featured the message "File under Fire", a reference to what Michael Stipe considered to be the central lyrical theme of the album, and also references the chorus to "The One I Love".^[8] A similar message ("File under water") could be found on the cover of the band's second album, Reckoning, as well as on the compilation album Eponymous ("File under grain") referring to the idea behind "Talk About the Passion", which was about hunger.^[9] Two rejected suggestions for the title of the album—R.E.M. No. 5 and Table of Content—also appear on the sleeve artwork.^[10] Other possible album titles included Mr. Evil Breakfast, Skin Up with R.E.M., and Last Train to Disneyland (the last one having been suggested by Peter Buck, who felt that America under the presidency of Ronald Reagan was beginning to feel a lot like the famed amusement park).^[11]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[12]
Chicago Tribune	[13]
Christgau's Record Guide	A[14]
Entertainment Weekly	A−[15]
Los Angeles Times	[16]
Pitchfork	8.2/10[17]
Q	[18]
Rolling Stone	[19]
The Rolling Stone Album Guide	[20]
Uncut	9/10[21]

Close

In a contemporary review for The Village Voice, Robert Christgau said that R.E.M. had moved on from their past work's escapism and that "their discovery of the outside world has sharpened their sense of humor along with everything else", citing "It's the End of the World as We Know It (And I Feel Fine)" as an "inspirational title".^[22] Rolling Stone reviewer David Fricke felt that the album was R.E.M.'s "finest to date", and said that "Document is the sound of R.E.M. on the move".^[19]

Los Angeles Times critic Chris Willman complimented the diversity of the music and themes, observing, "Document is a tougher, meaner, leaner record than its immediate predecessors—replacing the jangly, sprightly, romantic sound the band became known for with a far more hard-edged guitar sound, as well as tenser rock rhythms. It's predictably cryptic indeed at times, but the opaque mystery that was so enticingly R.E.M. has been largely replaced here with something more definite and immediately tangible."^[16]

Uncut's Andrew Mueller praised Document in a retrospective review, saying, "If 1986's Lifes Rich Pageant had marked the beginnings of R.E.M.'s emergence from their cocoon of indie diffidence, 1987's Document was where they first properly reconciled themselves to their destiny as the only group of the 1980s American college-rock milieu to graduate to stadiums, and stay there."^[21] David Browne of Entertainment Weekly observed, "The record that gave R.E.M. a top 10 hit ('The One I Love') mostly does no more than consolidate their strengths but has moments of undeniable power and the most sardonic apocalypse ever recorded, 'It's the End of the World as We Know It (and I Feel Fine).'"^[15] Stephen Thomas Erlewine of AllMusic said that "where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger."^[12]

Rolling Stone went on to include Document in their list of the 100 greatest albums of the 1980s (in 41st place), and then ranked it number 462 on 2012 list of the 500 Greatest Albums of All Time.^[23] In 2012, Slant Magazine listed the album at number 17 on its list of "Best Albums of the 1980s".^[24]

In 1999, the album was remastered by Bob Ludwig and re-released on Compact Disc by I.R.S. Records in the United States. This version came in a replica of the record sleeve made of cardboard. In 2005, Capitol Records (whose then parent company EMI at that time owned I.R.S. Records' catalog) issued an expanded DualDisc edition of Document which includes a digitally remastered version of the album on the CD side, a DVD-Audio, DTS and Dolby Digital 5.1-channel surround sound mix of the album done by Elliot Scheiner on the DVD side, and the original CD booklet.^[25]

All songs were written by Bill Berry, Peter Buck, Mike Mills and Michael Stipe, except "Strange" by Wire (Bruce Gilbert, Graham Lewis, Colin Newman and Robert Grey).

Side one – "Page side"

1. "Finest Worksong" – 3:48
2. "Welcome to the Occupation" – 2:46
3. "Exhuming McCarthy" – 3:19
4. "Disturbance at the Heron House" – 3:31
5. "Strange" – 2:31
6. "It's the End of the World as We Know It (And I Feel Fine)" – 4:06

Side two – "Leaf side"

1. "The One I Love" – 3:17
2. "Fireplace" – 3:22
3. "Lightnin' Hopkins" – 3:20
4. "King of Birds" – 4:09
5. "Oddfellows Local 151" – 5:21

Production

Notes

• † I.R.S. Vintage Years edition, with bonus tracks
• ‡ Compact Disc remastered edition
• • DualDisc remastered edition
• †† 25th anniversary edition, with bonus disc
• A truncated edition of Document was also issued on Armed Forces Radio—catalogue number P-24576—with "Finest Worksong", "Welcome to the Occupation", "Fireplace", "Lightnin' Hopkins", and "King of Birds" on one side and tracks from Pink Floyd's A Momentary Lapse of Reason on the other.^[42]