The Milwaukee Sentinel wrote: "Mixing the latest dancehall styles with phrasing reminiscent of pioneers such as U Roy, I Roy, Big Youth and Dillinger, Super Cat makes some of the most refreshing (and interesting) Jamaican dance music in a long time."[16] Newsday called the album "a bracing collection of tough rhythms, tougher lyrics and a pocketful of contradictions."[17] The Times concluded that, "in much the same way that rap glories in its tuneless, declamatory style of vocalese, so the hardcore dance-hall style reduces reggae almost entirely to rhythm and rhyme; all harangue and no harmony."[18]
USA Today determined that "the rapid-fire rapper serves up equal measures of social conscience and disco fever"; the paper later listed Don Dada as the eighth best R&B album of 1992.[19][20] The Philadelphia Inquirer deemed the album "a deft mixture of rapping and singing supported by intelligent and not overly repetitive tracks."[21]
AllMusic wrote that "the recurring ability of the songs to consistently provide a simple groove for Super Cat to fervently rap over the top of is amazing, and the virtuosity with which he can constantly provide the necessary vocal concoctions is noteworthy."[14]
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