Dorothy Jardon

From Wikipedia, the free encyclopedia

Born
Mary Jardon

June 1, 1883
New York City, New York, U.S.
DiedSeptember 30, 1966 (age 83)
Los Angeles, California, U.S.
Occupation(s)Singer, actress
Dorothy Jardon
A smiling white woman with hair in curled style, wearing dressed as Carmen for the opera role
Jardon as "Carmen", from a 1922 publication
Born
Mary Jardon

June 1, 1883
New York City, New York, U.S.
DiedSeptember 30, 1966 (age 83)
Los Angeles, California, U.S.
Occupation(s)Singer, actress
SpouseEdward Madden (lyricist)

Dorothy Jardon (born Mary Jardon;[1] June 1, 1883 – September 30, 1966)[2] was an American soprano and actress. She was sometimes billed as "the American Carmen".

Jardon was born in New York, the daughter of Ignace Jardon, a chef who immigrated to the United States from France in 1864, and Bridget Mary Jardon (née Kavanagh),[3] who immigrated from Ireland in 1884.[1][2][4] She studied voice with William S. Brady.[5]

Career

Jardon's Broadway credits included roles in the shows The Fisher Maiden (1903), The Merry-Go-Round (1908), The Yankee Girl (1910), Madame Sherry (1910–1911), La Belle Paree (1911), Bow-Sing (1911), The Revue of Revues (1911), The Wedding Trip (1911–1912),[6] The Pleasure Seekers (1913–1914), The Dancing Duchess (1914), Papa's Darling (1914–1915). She sang with the Chicago Opera in the title role of Fedora in 1919.[5] She was billed as "the American Carmen" after Fortune Gallo cast her in the role in 1922.[7][8]

A white woman posing with her arms crossed, in a costume that includes a wide-brimmed headpiece, a high collar, and large shoulder pads
Dorothy Jardon in costume, from the Sayre Collection

Jardon made several recordings for Victor and Brunswick labels.[9] Among her acting credits, she played Bimoula in Oh! Oh! Delphine! at the Shaftesbury Theatre in London in 1913.[10][11] Charles Wakefield Cadman wrote "Love Like the Dawn Came Stealing" for Jardon.[12]

Jardon was considered a fashionable stage beauty, and her gowns were described in detail in the press.[13] "It isn't mere prettiness of face and body that Dorothy Jardon has. It is downright knock-you-dead beauty. She's a smothered-in-red-roses, drenched-with-Russian-perfume exotic," explained an interviewer in 1917, adding that Jardon "makes Theda Bara look like a glass of milk."[14] She was especially known for her "beautiful back", and wore gowns with low-cut backs to highlight that feature.[15]

Jardon retired from the stage in 1927.[16]

Personal life

References

Related Articles

Wikiwand AI