Double Occupancy

2026 Indian film From Wikipedia, the free encyclopedia

Double Occupancy is a 2026 Indian Tamil-language fantasy romantic comedy film directed by Aswin Kandasamy in his debut and produced by Avni Movies and Benzz Media Pvt Ltd. The film stars Santhosh, Reshma Venkatesh, Samyuktha Viswanathan and Vinoth Kishan. It deals with the concept of diurnal gender swap/diurnal metamorphosis, and was released in theatres on 12 June 2026.

Directed byAswin Kandasamy
Written byAswin Kandasamy
Produced by
Starring
Quick facts Directed by, Written by ...
Double Occupancy
Theatrical release poster
Directed byAswin Kandasamy
Written byAswin Kandasamy
Produced by
Starring
CinematographySanthakumar Chakravarthy
Edited byPraveen Antony
Music bySam C. S.
Production
companies
Avni Movies
Benzz Media Pvt Ltd
Distributed byFive Star K. Senthil
Release date
  • 12 June 2026 (2026-06-12)
Running time
132 minutes[1]
CountryIndia
LanguageTamil
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Plot

A person named Rajini, due to an anomaly during his birth, has to live life as a female from 6:00am to 6:00pm and as a male from 6:00pm to 6:00am.

Cast

Production

Double Occupancy is the debut for Santhosh in a leading role.[2] Production began in March 2025,[3] and wrapped in February 2026.[4]

Music

The music was composed by Sam C. S. The audio rights were acquired by Saregama. The first single "Minnal Adikudhadi" was released in late March 2026.[5] The second single "Uyire" was released that May.[6]

Release

Theatrical

Double Occupancy was released in theatres on 12 June 2026.[7] The film was distributed by Five Star K. Senthil in Tamil Nadu and Karnataka.[8]

Home media

The post-theatrical streaming and satellite rights were reportedly acquired by Amazon Prime Video and Zee Tamil.[9]

Reception

Jayabhuvaneshwari B of Cinema Express called Double Occupancy an "imaginative fantasy is filled with clever world-building and charming performances", but felt it was "restrained at times by emotional over-occupancy".[10] Abhinav Subramanian of The Times of India wrote, "Double Occupancy overreaches and wobbles for it, but the idea is fresh for our screens and there is enough wit and craft to make the gamble worth taking".[11] The film was also reviewed by Baradwaj Rangan,[12] Cinema Vikatan[13] and Kalki Online.[14]

References

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