Draft:Chuang Shih-ho
Taiwanese painter (1923–2020)
From Wikipedia, the free encyclopedia
Chuang Shih-ho (Chinese: 莊世和; December 12, 1923 – November 18, 2020) was a Taiwanese painter[1][2][3].
 | Review waiting, please be patient.
This may take 2 months or more, since drafts are reviewed in no specific order. There are 4,319 pending submissions waiting for review.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
Reviewer tools
|
 | This is a draft article. It is a work in progress open to editing by anyone. Please ensure core content policies are met before publishing it as a live Wikipedia article. Find sources: Google (books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL Last edited by OlBoes (talk | contribs) 21 days ago. (Update)
This draft has been submitted and is currently awaiting review. |
- Kawabata School of Painting
- Tokyo School of Fine Arts
Chuang Shih-ho | |
|---|---|
莊世和 | |
| Born | December 12, 1923 Tainan, Taiwan |
| Died | November 18, 2020 (aged 96) Chaozhou, Pingtung, Taiwan |
| Education |
|
| Known for | Painting, drawing |
| Movement | Cubism, Surrealism |
Life
Born in Tainan in 1923, his family moved to Chaozhou, Pingtung in 1928. In 1938, he went to Japan to study painting at the Kawabata School of Painting, and in 1940 he entered the Painting Department of the Tokyo School of Fine Arts. During his studies in Japan, he was exposed to avant-garde art such as Cubism, Dadaism, and Surrealism, as well as modernist ideas such as Bauhaus style.
After his return to Taiwan in 1946, he joined Ho Tieh-hua’s “New Art Movement of Free China” and became one of the few Taiwanese artists actively promoting avant-garde and modernist painting in the 1950s.