Draft:Clarissa Ribeiro
professor, artist, researcher
From Wikipedia, the free encyclopedia
Clarissa Ribeiro[1] (born 1977) is a Brazilian artist, researcher, and educator whose work has been presented in international art and technology contexts, including SIGGRAPH, ISEA, V2, and Ars Electronica. She is an Assistant Professor in the Department of Fine Arts at the University of São Paulo. Her work engages the intersections of art, science, and technology.[2]
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Clarissa Ribeiro | |
|---|---|
| Born | 1977 (age 48–49) Brazil |
| Occupations | Artist, researcher, educator |
| Employer | University of São Paulo |
| Known for | Technoetic arts, information visualization, generative systems |
| Awards | Fulbright Postdoctoral Fellowship |
Early life and education
Ribeiro was born in Brazil in 1977. She completed her doctoral studies in Arts at the University of São Paulo (ECA-USP), in association with the Planetary Collegium (United Kingdom), where she was supervised by Roy Ascott.
She was awarded a Fulbright Postdoctoral Fellowship[3] at the University of California, Los Angeles, where she collaborated with the Art|Sci Center and worked with James Gimzewski.
Her work at UCLA has been featured in interviews and editorial content published by the UCLA Art|Sci Center.[4]
Career
Ribeiro is an Assistant Professor in the Department of Fine Arts at the University of São Paulo.[5]
She previously served as Program Director of the Roy Ascott Studio’s Technoetic Arts program at the Shanghai Institute of Visual Arts.[6]
In 2024, she served as Chair of Consciousness Reframed 2024, an international conference dedicated to art, consciousness, and advanced technologies.[7]
She has participated in international events including the Expanded Animation Conference 2024.[8]
In 2025, Ribeiro was awarded the title of Honorary Professor by the Shanghai Institute of Visual Arts and was invited to serve on its International Advisory Board.[9]
Her career trajectory has been discussed in institutional interviews.[10]
Research and artistic practice
Ribeiro’s work has been described as engaging technoetic aesthetics and examining relationships between humans, machines, and ecological systems.[2]
Her projects address themes including data visualization, generative systems, artificial intelligence, and environmental processes.[2]
Her work has been discussed in curatorial and academic contexts, including profiles and interviews published by the Digital Art History Society.[2]
She has been featured in the TTT Fellows: Art and Science Residency II, including editorial and video documentation highlighting her collaboration with artist Robert Lisek.[11]
Her practice has also been contextualized by institutions such as V2_ Lab for the Unstable Media.[12]
Exhibitions and projects
Ribeiro’s work has been exhibited internationally, including in contexts such as SIGGRAPH and ISEA.[13]
Her work Political Crystals: Algorithmic Strategies for Data Visualization, developed in collaboration with Herbert Rocha, was exhibited at the SIGGRAPH Asia 2019 Art Gallery.[14]
She has also exhibited at the SIGGRAPH Asia Art Gallery in 2025.[15]
Her work has been associated with the IEEE VIS Arts Program (VISAP).[16]
She has also participated in projects associated with Ars Electronica, including the program Performing New Infrastructures, part of the "New Digital Deal" initiative.[17]
Her work has also been presented in relation to themes of shifting cosmologies and ecological-technological relations in media art contexts.[18]
Her participation in FILE São Paulo includes exhibitions and workshops related to ecological and AI-driven artistic practices.[19]
Publications
Ribeiro co-authored the paper A Decade of Technoetic Innovation: Celebrating 10 Years of the Roy Ascott Studio Advanced Program with Roy Ascott and Eleanor Zhang, presented at ISEA 2024.[20]
She co-authored the chapter "Women Who Care: Degrowth, Eco-Feminism, Biomimicry" with Rewa Wright and Jill Scott in the book Transdiscourse 3: Women in Art, Science, and Body Politics (2025).[21]
Editorial and professional activities
Ribeiro serves on the editorial board of Technoetic Arts: A Journal of Speculative Research, published by Intellect Books.[22]
She has worked as an ad hoc reviewer for Leonardo and has served on the Leonardo Graduate Abstracts peer review panel.[2]
Since 2017, she has served as a LASER Talks Chair for Leonardo/ISAST.[13]
She has also served as a member of the Council of Readers of the College Art Association.[23]