Draft:Neo-kosmische
From Wikipedia, the free encyclopedia
Neo-kosmische is a style of music used to refer to post-noise[1][2] group Emeralds,[3] who "prompted a wave of millennial interest in kosmische music (Deuter, Klaus Schulze, Cluster et al)".[4] In 2009, Emeralds gave a guide to "kosmische" that was published by self-titled magazine.[5] Their 2010 album Does It Look Like I'm Here? was noted as "far more interested in the pastoral daydreams of kosmische".[6]
| Neo-kosmische | |
|---|---|
| Stylistic origins | |
| Cultural origins | 2000s, United States |
| Other topics | |
Etymology
In May 2007, Pitchfork labelled Brooklyn band Titan as neo-kosmische.[7] In 2012, neo-kosmische would be used as a term by British magazine Fact.[8] That same year, Canadian magazine Exclaim! referred to Daniel Lopatin on the collaborative album Instrumental Tourist as "neo-kosmische noodling".[9] By December, The Quietus published a review of Bee Mask's When We Were Eating Unripe Pears by Rory Gibb, where he associated the term "neo-kosmische" with post-noise, stating "Of all the neo-kosmische/post-noise explorers whose balmy currents have lapped at our shores over the past few years, Chris Madak is among the few who seem hellbent on mapping out genuinely new territory."[10][11]