Draft:Santa Rosa Symphony
American orchestra in [[Santa Rosa]]
From Wikipedia, the free encyclopedia
The Santa Rosa Symphony is an American regional orchestra based in Santa Rosa, California. Founded in 1928, it is the resident orchestra of the Green Music Center at Sonoma State University.
| Santa Rosa Symphony | |
|---|---|
| Orchestra | |
| Founded | 1928 |
| Location | Santa Rosa, California, United States |
| Concert hall | Weill Hall at Green Music Center |
| Concertmaster | Joseph Edelberg |
| Music director | Francesco Lecce-Chong |
| Website | srsymphony |
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Francesco Lecce-Chong has served as music director since 2018. The orchestra also operates the Santa Rosa Symphony Youth Orchestra, conducted by Jaco Wong,[1] and is active in commissioning and performing contemporary orchestral works alongside standard repertoire.
History
The early years (1928-1958)
The Santa Rosa Symphony was founded in 1928 by George Trombley. Its first concert was performed at the Elks Club with 35 local musicians. The orchestra made its public debut in February 1929 with a 45-member ensemble at the Santa Rosa High School Auditorium.[2]
In 1946, Corrick Brown performed with the orchestra at age 12. He returned eight years later as a soloist in a performance of a work by Robert Schumann.[3]
Corrick Brown (1958-1995)
In 1958, Corrick Brown became music director at age 27, beginning a 37-year tenure.[4] At the time, the orchestra was largely composed of volunteer musicians.
During this period, the orchestra transitioned toward a professional ensemble and expanded its programming and community activities.[5]
In 1982, the orchestra moved to the 1500-seat Luther Burbank Center for the Arts to accommodate its growing audience, where it remained for approximately 30 years.[6]
Jeffrey Kahane (1995-2006)
In 1992, Jeffrey Kahane appeared as guest soloist with the Santa Rosa Symphony in Beethoven’s Piano Concerto No. 5. He was appointed music director in 1995, succeeding Corrick Brown.[7]
In 1998, the Santa Rosa Symphony launched the Young People’s Chamber Orchestra, a strings-only ensemble for advanced student musicians under the direction of principal violist Linda Ghidossi-DeLuca.[8]
In 1999, the orchestra entered a partnership with Sonoma State University that contributed to the development of the Green Music Center, which opened in 2012.[9]
Bruno Ferrandis (2006-2018)
In 2006, Bruno Ferrandis succeeded Jeffrey Kahane as music director of the Santa Rosa Symphony.[10] That same year, construction began on the Green Music Center main concert hall at Sonoma State University, a performing arts complex intended as the future home of the orchestra.[11]
In 2007, Ferrandis’ first season coincided with the orchestra’s 80th anniversary. A gala concert featuring selections from opera repertoire marked both the anniversary and Ferrandis’ appointment as music director.[12]
In 2012, the Santa Rosa Symphony became the resident orchestra at Weill Hall in the Green Music Center at Sonoma State University, following the completion of the concert hall.[13]
During Ferrandis’ tenure, the orchestra expanded its programming to include premieres and works by living composers, and maintained education initiatives including the Simply Strings program.[14]
Ferrandis concluded his tenure following the 2017–2018 season.[14]
Francesco Lecce-Chong Years (2018-present)
In 2018, Francesco Lecce-Chong was appointed as the fifth music director and conductor before the age of 30.[15][16][17]
In 2019, Lecce-Chong and the Santa Rosa Symphony launched a four-year First Symphony Project in partnership with the Eugene Symphony, commissioning four American composers to write their first symphonies. The project included co-commissions with donor families, composer residencies, and community engagement activities across both orchestras.[18]
In 2020, Lecce-Chong and the Santa Rosa Symphony presented chamber music performances during the COVID-19 pandemic. They also launched SRS@Home virtual concert series, which included recorded performances from Weill Hall and was distributed via the orchestra's Youtube channel.[19]
In 2021, the Santa Rosa Symphony continued the SRS@Home virtual concert series. The series initially drew nearly 3,000 unique viewers at its premiere and later averaged more than 5,000 viewers across 22 U.S. states and three countries. Three recorded concerts conducted by Lecce-Chong and filmed at Weill Hall, Green Music Center,[20] were broadcast on Northern California Public Media stations KRCB and KPJK, marking the first televised concerts in the orchestra’s history. The broadcasts reached an estimated 2.8 million households across the greater Bay Area.[21]

In 2022, the Santa Rosa Symphony released Cello Concerto & Other Works on the Delos label, featuring works by Ellen Taaffe Zwilich and performances recorded during the orchestra’s 2020–2021 virtual season.[22] That year, Lecce-Chong and the Santa Rosa Symphony commissioned Valley of the Moon by American composer Michael Daugherty, which premiered in April.[23] Lecce-Chong also led the first season of the Rachmaninoff and the Hollywood Sound project, a four-year initiative pairing the symphonic works of Sergei Rachmaninoff alongside works by Hollywood film composers.[24] In June 2022, the orchestra premiered Los Braceros, a cantata by Enrico Chapela Barba for mariachi ensemble and orchestra, featuring Mariachi Champaña Nevin.[25]
In 2023, Michael Berkowitz retired as Principal Pops Conductor.[26] That year, J. Andrew Bradford was appointed President and CEO of the Santa Rosa Symphony following the retirement of Alan Silow, who had served in the role for 21 years.[27] Also in 2023, Conductor Emeritus Corrick Brown, the orchestra’s second music director, died at the age of 95.[28]
Music Directors
- Francesco Lecce-Chong (2018–present)
- Bruno Ferrandis (2006–2018)
- Jeffrey Kahane (1995–2006)
- Corrick Brown (1958–1995)
- George Trombley (1928–1958)
Notable Guest Artists
Guest artists of the Santa Rosa Symphony’s Classical Series have included pianists Garrick Ohlsson include pianists Garrick Ohlsson,[29] Lang Lang,[30] Jonathan Biss,[31] Joyce Yang,[32] and Jon Kimura Parker.[33]
Violinists and string soloists have included Hilary Hahn,[34] Vadim Gluzman,[35] and Mark O'Connor,[36] as well as cellists Zuill Bailey.[37]
Guest ensembles and collaborators have included crossover and chamber artists such as Edgar Meyer,[38] Bela Fleck, Paul Galbraith,[39] and Maya Beiser.
Performances and Reception

A 1995 article by Charles Shere in The Press Democrat noted the orchestra’s strong audience support and regional standing. Incoming music director Jeffrey Kahane described the ensemble as having a “loyal and substantial” following, which he characterized as unusual for a community of Santa Rosa’s size.
A 2006 review in the San Francisco Chronicle praised the orchestra’s performance of Benjamin Britten’s War Requiem under Jeffrey Kahane, describing it as “superb” and “unnervingly great.”[40] Another Chronicle review commended Kahane’s direction of Michael Tippett’s A Child of Our Time, noting his command of the work’s structure and the orchestra’s “powerful” interpretation.[41]
Following the orchestra’s move to Weill Hall at the Green Music Center, critics noted changes in sound and performance conditions. A 2012 review observed a “robust and full-bodied sound” under Bruno Ferrandis, while also noting the opportunities afforded by the new venue.[42]
Under music director Francesco Lecce-Chong, reviews have emphasized programming and engagement with contemporary repertoire. A 2021 San Francisco Chronicle review described the ensemble’s pandemic-era programming as “lively, and even adventurous,” citing its inclusion of works by living composers alongside standard repertoire.[43]
The orchestra’s commissioning work has also drawn critical attention. A 2024 San Francisco Chronicle review characterized the First Symphony Project as an ambitious effort to present new symphonic works by emerging composers.[44] In a separate review, the orchestra’s performance of Angélica Negrón’s Sinfonía Isleña was described as a “tour de force,” with praise for the ensemble’s ability to realize its “inventive sound world.”[45]
Reviews in San Francisco Classical Voice have similarly characterized the Santa Rosa Symphony as a strong regional orchestra, noting the quality of its musicianship across both standard and contemporary repertoire.[46]
Notable Premieres and Commissions
The Santa Rosa Symphony has commissioned and premiered numerous works since the late 20th century, including major initiatives such as the First Symphony Project.[19]
Selected premieres and commissions documented in Santa Rosa Symphony programs and archival materials:
| Composer | Repertoire | Year | Conductor | Guest Artist | Notes |
| Kirke Mechem | Symphony, Haydn's Return[47] | 1960 | Corrick Brown | N/A | World premiere; Commissioned by SRS |
| Henry Cowell | Overture for a Large Orchestra | 1968 | Corrick Brown | N/A | World premiere |
| Kenji Bunch | Symphony No.1, Lichtenstein Triptych | 2004 | Jeffrey Kahane | N/A | Magnum Opus Commission; world premiere |
| Osvaldo Golijov | The Dreams and Prayers of Isaac the Blind | 2006 | Jeffrey Kahane | N/A | Magnum Opus Commission; world premiere |
| Behzad Ranjbaran | Mithra for Orchestra | 2010 | Bruno Ferrandis | N/A | Magnum Opus Commission; world premiere |
| Nolan Gasser | Sonoma Overture for Orchestra, Opus 20 | 2012 | Bruno Ferrandis | N/A | World premiere; Commissioned by SRS |
| Pablo Ortiz | Concerto for Bandoneon and Orchestra | 2015 | Bruno Ferrandis | Juan Pablo Jofre | World premiere; Commissioned by SRS |
| Mohammed Fairouz | Pax Universalis | 2015 | Bruno Ferrandis | N/A | World premiere; Commissioned by SRS |
| Paul Dooley | Sonoma Strong for Orchestra | 2018 | Michael Berkowitz | N/A | World premiere; Commissioned by SRS |
| Matthew Browne | Symphony No. 1, The Course of Empire | 2020 | Francesco Lecce-Chong | N/A | World premiere; First Symphony Project Commissioned by SRS |
| Gabriella Smith | One for Orchestra | 2022 | Francesco Lecce-Chong | N/A | World premiere; First Symphony Project Commissioned by SRS |
| Michael Daugherty | Valley of the Moon for Orchestra | 2022 | Francesco Lecce-Chong | N/A | World premiere; Commissioned by SRS |
| Enrico Chapela Barba | Braceros [The Laborers], Cantata for Mariachi and Orchestra | 2022 | Francesco Lecce-Chong | Mariachi Champaña Nevín | World premiere; Commissioned by SRS |
| Angélica Negrón | Symphony No. 1 | 2023 | Francesco Lecce-Chong | N/A | World premiere; First Symphony Project Commissioned by SRS |
| Ellen Taaffe Zwilich | Concerto for Two Pianos and Orchestra | 2023 | Francesco Lecce-Chong | Christina and Michelle Naughton | World premiere; Commissioned by SRS |
| Clarice Assad | Concerto for Percussion and Orchestra | 2024 | Francesco Lecce-Chong | Third Coast Percussion | World premiere; Commissioned by SRS |

