Draft:Sue Huang
American new media artist
From Wikipedia, the free encyclopedia
Sue Huang is an American artist working across new media art, performance art, and speculative design. Her work engages themes of ecology, embodiment, and technology, exploring relationships between human and nonhuman systems.[1] Her work has been presented internationally at institutions including the Museum of Contemporary Art, Los Angeles, Ars Electronica, Rhizome at the New Museum, and the Beall Center for Art and Technology. She has been an artist-in-residence at LMCC, MASS MoCA, Cherry Street Pier, and Leonardo@Djerassi, among others. [2]
 | Review waiting, please be patient.
This may take 2 months or more, since drafts are reviewed in no specific order. There are 3,473 pending submissions waiting for review.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
Reviewer tools
|
Sue Huang | |
|---|---|
| Born | Sue Huang |
| Education | |
| Known for | New media art, performance art, speculative design, social practice |
Biography
Huang received an MFA in Media Arts from the University of California, Los Angeles and a BS in Science, Technology, and International Affairs from Georgetown University's Walsh School of Foreign Service.[3]
In 2004, she co-founded the media art collective Knifeandfork with Brian House. The group became known for early projects in locative media and socially engaged digital art, and received a commission from Rhizome. They were artists-in-residence as part of the Engagement Party program at the Museum of Contemporary Art, Los Angeles in 2009.[4][5]
Huang has held academic appointments, including Assistant Professor of Art & Design at Rutgers University. She was named the inaugural Rutgers–New Brunswick Laureate for 2025–2026 by the Office of the Provost at Rutgers and the artist-in-residence at the Chrysler Herbarium for 2025–2027.[6]
Work
Huang’s work spans performance, installation, computational media, and speculative design, with a focus on ecological systems, language, and artificial intelligence.[7][8]
Her work has been presented in international media art contexts, including Ars Electronica and Art Machines 2 – International Symposium on Machine Learning and Art.[9][10] Her work has also been presented at ISEA, where it has been framed within broader discussions of sentience, technology, and ecological systems.[11]
Her performance-based works combine narrative, sound, and moving image to explore ecological embodiment and temporal entanglement, and have been presented in festival contexts such as the New Ear Festival.[12]
Selected works
Bodies of Flora (2025)
Bodies of Flora engages botanical archives and ecological memory through sculptural and computational processes.[13]
Intimacy Beckons Us Back (2025)
Intimacy Beckons Us Back is a performance work exploring entangled ecologies through interlocked vignettes that move between the mind, the body, and collapsed time.
Post-Natural Pastorale (2024)
Post-Natural Pastorale is a data-driven sound and video installation translating environmental temporalities into musical form.[14]
5 ’til 12 (2005)
5 ’til 12 is an early non-linear interactive work using RFID-based systems to explore participation and on-the-fly narrative construction.[15]